Hi! I'm an experienced clarinettist and teacher with a first-class honours degree from the Royal Welsh College of Music and Drama where I won the college's concerto and chamber music competitions. I also achieved A* and A grades in GCSE and A-Level Music respectively. - I have recently started my master's degree as a dual scholar at the Royal College of Music in London. - I have a full enhanced DBS certificate which can be supplied upon request. - I teach Mon-Wed, often afternoons/evenings but am fairly flexible (and ask the same of my students due to my hectic schedule!) - I am a relaxed, experienced, enthusiastic and patient teacher and try to make each lesson different, fun and enjoyable! -I would be happy to help you to learn music as a complete beginner or strengthen your abilities as an advanced player as a practice partner or a primary tutor. - I like to focus on building a solid foundation of playing with my students, which will help them excel in their musical lives. - I am a heavy believer that constant reassurance and appraisal is crucial in the early stages of learning any instrument, alongside fun and memorable exercises and games. - I have experience teaching to school-age children through outreach visits in Cardiff and London, alongside volunteering at RWCMD juniors department and working with RCM Sparks. - I love teaching and sharing my passion for music. I believe if you have the right motivation, age does not matter at all - it's never too late to learn! - I am able to teach through ABRSM grades and other kinds of qualifications or if you're just wanting to do it for fun! I am also able to teach music theory in tandem or as a primary tutor. - I teach in RCM in South Kensington or at my flat in Shepherds Bush if necessary. I also offer online lessons at a reduced rate. - Lessons can be 30, 45 or 60 minutes. Don’t hesitate to message me about any queries, look forward to meeting you! Isaac :) About Isaac: Originally from a small village in Northamptonshire, Isaac is a Clarinettist currently based in London. He made his solo debut in St. David’s Hall, Cardiff performing Mozart’s Concerto For Basset Clarinet, after winning the Royal Welsh College of Music and Drama Concerto Competition 2021. In the past year, Isaac has received Masterclasses from world-leading musicians such as Yehuda Gilad, Laura Ruiz Ferreres, Matthew Hunt, Carlos Ferriera and Harri Mäki. His recent festival highlights include performances with Maya Iwabuchi and Robin Green at the Hellensmusic Festival, taking part in Amsterdam and Främnas Masterclasses with Arno Piters and Herman Stefansson respectively, and the Voksenåsen Sommerakademi with Bjorn Nyman and Andreas Sundén. In 2020, Isaac was invited to take part in the Schleswig-Holstein Musik Festival in Lübeck, which was unfortunately postponed due to the pandemic. Isaac has performed recently as guest principal, sub-principal and bass clarinet with London Mozart Players, Neville Holt Opera, English Symphony Orchestra, London Firebird Orchestra and UK Tours with The Music Agency. He has performed in concerts and masterclasses under the conductors such as Sir Andrew Davis, Maxim Vengerov, Hannu Lintu, Jac van Steen, George Jackson and Leif Segerstam. Isaac graduated first-class honours from RWCMD in 2021 under the tutelage of the previous and current heads of woodwind Nick Carpenter and Rob Plane, respectively. Alongside winning the college Concerto Competition, Isaac also won the RWCMD Woodwind + Chamber Music Prize and auditions for side-by-side schemes with BBC National Orchestra of Wales and Welsh National Opera. Also a passionate arranger, Isaac has recently had his work performed at Royal Scottish National Orchestra (RSNO) Young Creatives Projects, Durham University Big Band Charity Events, Dynamica Brass Academy, RWCMD Repertory by Entrepreneurial Performers Company (REPCo) and the Ormonde Ensemble, a wind quintet of which Isaac is a member. Isaac is currently furthering his studies with a Masters in Performance at the Royal College of Music, London, studying with Barnaby Robson, Richard Hosford and Tim Lines. He is the gracious recipient of scholarships from the HR Taylor Charitable Trust and Charlotte Fraser Foundation. He is also the 2022/23 holder of the Countess of Munster Trust Neil Black Award. Isaac is extremely grateful for their support as without it, his studies would not be possible.

I am a dynamic and flexible music teacher, happy to concentrate on improving specific skills on your instrument ( reading music, technique, score interpretation, improvisation and recording). I also have a huge passion for composition, theory and music production, so I can take from beginners to advanced students through all major DAW softwares, notation in Sibelius as well as advanced music theory and analysis.

I teach for all levels, from children starting from zero to students who want to prepare certifications at the Conservatories, passing through amateurs or simply curious of any age. I firmly believe in the importance of knowing how to read music and this is exactly what I teach first, obviously adapting the method to the age of my students: knowing how to read music is knowing one more language, which, if learned well, won’t ever be forgotten (like riding a bicycle!) and it is an invaluable wealth. Starting from that point I teach the position of the hand, the arm and the whole body at the piano, the fundamentals of the piano technique (giving great importance to the percussive movement of the finger and the distribution of weight), the understanding of musical language, the expression of the personality through the keyboard, the search for touch and knowledge of piano repertoire.

Music is considered as a gifted art and I am here to support those gifted talented persons to bring the best out of them. Here I am going to train the voice and basic vocal techniques which are used in singing. By this you will be able to sing well without any struggles. Here we will discuss about the basics of music and especially the breath and other techniques that are used in western as well as in Carnatic music.

Hi future piano students! I am an Official Steinway and Sons Educational Partner, award-winning pianist who has performed at Carnegie Hall, and won over 40 first prizes in competitions. I have studied and graduated Bachelor's and Master's in piano performance and education at the Academy of Arts Novi Sad, and Florida International University in Miami. I have also had the privilege of studying with many famous professors at the Juilliard School, Royal Academy of Music, Franz Liszt Academy, and many others. I am passionate about teaching piano and helping students of all levels reach their full potential. I believe that everyone can learn to play the piano, and I am committed to providing my students with the tools and support they need to succeed. Here are just a few of the things you can expect from my piano lessons: Expert instruction: I have a deep understanding of piano technique and music theory, and I am able to provide my students with expert instruction. Personalized attention: I work with each student individually to develop a learning plan that is tailored to their specific needs and goals. A supportive environment: I create a supportive and encouraging environment where students feel comfortable learning and growing. Opportunities to perform: I encourage my students to perform regularly, so that they can gain experience and confidence. If you are serious about learning to play the piano, I encourage you to contact me today to schedule a lesson. I look forward to helping you achieve your musical goals!

Music is an excellent company in life and understanding how it works makes it even more interesting. The information and knowledge of the most contemporary and popular styles to the great composers of history are within your reach through these classes where we will start from your personal tastes, analyzing and understanding where these proposals come from and where they are going. . Reviewing discography, doing musical ear training exercises, writing your own ideas will help you develop your potential and creativity so that music is your new way of communicating.

All levels (from beginners to graduate students and professionals). All ages. When? Please drop me a line and we will try and find a time for you. Listening to several voices at once certainly is one of the most rewarding skills a musician can have, or can acquire. And, no, this is not only for those who are born with this gift. If you listen to music without being able to discriminate precisely the different layers of sound, you already know music is beautiful. I was like that a couple years ago. (Well, provided my gray hair, it must actually be many years ago). I can surely say that being able to listen to several voices at once has brought me much joy! Music became absolutely wonderful! When you can precisely hear the various voices, then you become aware of all the notes that are played, as if some nice new lights were shed on the music. Not only can you enjoy the music more, but as you play you can now shape all the voices in the best possible way, or if you play a duo for instance, you can be sensitive to the way the other musician plays, and musically respond to his or her interpretation. As a musician, that is a life-changing experience, a “must!” That can be learned, slowly but surely, with method. Now, when I say slowly but surely, I talk about mastery. But if we are talking about being able to listen for the first time to an additional note at once, this is usually quite quick (I'd say one lesson, two weeks at most). So, what can we work on? Harmonic intervals, recognizing chords, discriminating notes within a 4 voice chord or aggregate (i.e. hearing the precise voicing of an isolated chord), learning to listen to counterpoint precisely, you name it. That should be based on where you are at, and what you would like to achieve. Anything is possible. Let's talk about it and get started! Although perhaps you want to know this first: My students often tell me I am very patient. I'd rather say I am understanding and straightforward. Actually, please know that I am also demanding: While there is no difficulty that I cannot understand, (and I found it absolutely thrilling to find a solution when the student seems stuck) yet I am not interested in approximation. If after reading this, you are still interested, please drop me a line! I am here to share my passion with you! Sincerely, YOUR Prof. PS: I use fixed DO solfège (French way), but if you don't that's okay!

This course is above all there to make you want to play bass, let it be fun! It will be based on the practice of the instrument, on the understanding and the role of the bass. The theory will be based on the progress of the practice. Step by step, practice and theory will thus be complementary, and will necessarily be useful! Have you always dreamed of being able to play bass? it's time to get started! Let the magic of music take hold of you and become the accomplished bassist you always wanted to be! Possibility of offering this course to one of your loved ones, a very appreciated gift for people who would like to embark on a musical adventure!

The theory of everything tends to be really scary and music theory can be too. I am very keen to make music theory easy for everyone. For some people there is only one way to tackle the unmentionable but I believe there are many different approaches and one of them will click with you. It is simply finding out what is best for each person. Once we find the key we can unlock the problems that have puzzled you for ages. Music theory needs to be more than a requirement, it needs to be the way to really appreciate the music you are playing. If you struggle with music theory then this is the class for you - why not give it a try?

hey! My name is Richard and I give private lessons to all levels. For guitar, it is important that you can improve yourself in a pleasant environment in a fun way where your interests are central. Do you want to delve deeper into a certain style? Do you want to create your own sound on your guitar using amps, pedals, ...? I can help you with all that! Knowledge of solfège or music theory is not required, we can always discuss this in class if you wish, but that is certainly not mandatory ;) I have been playing the guitar since I was 9 years old and for several years now I have been playing in professional bands with which I have been able to play on sugar rock, for example. The lessons would take place at my home in Mol or via webcam. If necessary, we can always agree on something else! Be sure to let me know if you have any questions and I will answer as soon as possible. see you soon! Richard (PS: my specified hours are a guideline, if this does not suit you, you can certainly send us a message and we will try to arrange something.)

Saxophone Classes are designed specifically for each student. The content and material worked on in classes is based on achieving the musical development you are looking for. *Sound/technique *Repertoire, Jazz, blues, classical, bossa nova, pop etc. *Reading *Improvisation *Entry to conservatories Online and in person in Almagro, Capital IG: ricardomarquezsax Ricardo Graduate of Contemporary Chamber Music, UnLa. Creator of the Sound Conversation method Creator and host of Laboratorio FeDeRatas. Student of outstanding teachers such as Miguel Villafruela, Alejandro Rivas, Jorge Díaz. Musical director of plays such as Bolero-Salitrero (Fondart 2007), Bardo (2015) and Alsino the boy who wanted to fly (-) Soprano and baritone saxophonist for the "Musicantes" in the play Opera por tres centavos, directed by Sebastión Errazuriz (2009). Saxophonist of "Cuarteto Urbano de Saxophones", "Banda Sinfónica de la U. Chile" (2008), "Camila Moreno", "Airelavaleria" and "Carolina Centurión", "Moustache", "Minga Ensamble", Der Gomsort Ansambel, TIC among other groups.

Playing the piano stimulates and shapes the brain, increases productivity and concentration, helps overcome stress and depression, improves posture, encourages perseverance and discipline, in addition to developing greater sensitivity by expressing our deepest emotions. With this course, you will learn to get started or develop your skills as a pianist, also working on the bases of musical theory, in a dynamic and fun way. As a teacher, I adapt to the student's musical tastes to work on their favorite genres on the instrument and I also guide them, if they wish, in the composition of their own songs. Classes suitable for all ages, basic and intermediate level.

One of the most wonderfull string instrument is the cello. If you want to learn how to play cello or just to continue improving your skills do not hesitate to contact me. I have a lot of experience teaching cello and for me, the most important thing in my lessons is learn well and enjoy. Ussually, my lesson programme is start with a short warm up (technique exercises) to continue with different cello pieces chosen by the students. I have a lot of pop and actual music cello pieces for all levels. In addition, I'm familiar with methods like ABRSM, Suzuki, Feuillard, Duport, Popper and Piatti.

During my oboe lessons, enjoying music is central. The double reed plays an important role in both the sound and the ease of playing the oboe. I make sure there is always a reed that plays nicely. In addition, I will pay a lot of attention to the way of blowing. This is the basis that ensures that the students can have fun and make music right from the start. . Making music together is the best thing there is, so I like to play along with the students in a duet. I guide advanced students in developing their (musical) creativity and, if they wish, I offer reed lessons. In these lessons I give tips for updating reeds and explain all the steps of the reed making process.