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Since October 2025
Instructor since October 2025
Video camera, TV production, Live streaming, Filming, Editing and delivery
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From 42 £ /h
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This class is for Filming with video camera, editing, recording sound, light setup, live streaming. The focus is to learn how to film, edit and deliver. You'll learn a variety of video techniques to cut down on costs and time in a relaxed and fun environment.
Extra information
All equipment provided
Location
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At student's location :
  • Around Brussels, Belgium
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At teacher's location :
  • Square Ambiorix, Brussels, Belgium
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Online from Belgium
Age
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
60 minutes
120 minutes
The class is taught in
English
Croatian
Italian
Availability of a typical week
(GMT -04:00)
New York
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At teacher's location and via webcam
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At student's home
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
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Which software you need and how the interface works
The difference between codecs and technical specifications (aspect ratio, frame rate, ...)
The key features and possibilities of Adobe Premiere
Practical editing using your own footage, through focused editing sessions, working toward a result you're happy with
How to build visual and musical rhythm and explore sound
The difference between a phenomenological, intuitive approach and a prepared, structured setup
How to maintain a healthy workflow, for yourself and your computer
Keyboard shortcuts and efficient cutting and editing techniques
How to export correctly with the right settings
How to communicate with clients
How to prepare yourself visually for a project
The basics of color correction and grading
How to properly deliver/transfer files
How to keep your workflow as minimal and streamlined as possible
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Contact Zoran
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Similar classes
arrow icon previousarrow icon next
verified badge
Antoine
— Methodology —

This course is designed for all levels, from beginners wanting to start their first project to professionals looking to refine their creative vision.

— Learning Philosophy —

I believe that learning is a dialogue. My approach is flexible and adapts to your needs: field case studies, participatory guidance during creation, and targeted training on specific aspects.

Sessions are scheduled according to your needs and constraints, ideally every two weeks to maintain a good rhythm.

— First Meeting —

During our first meeting, we will define the framework, method, tools, and objectives of the training together.

— Topics Covered —

Preparation

• Defining the specifications, objectives, and intentions
• Concept development
• Research
• Pre-existing similar projects
• Narrative/visual aesthetics, inspirations
• Directing concepts: the director’s responsibilities
• Production concepts: the producer’s responsibilities

Scriptwriting/Outline

• Formatting
• Structure
• Dialogues
• Effective formulas

Budgeting

• Breakdown

Preproduction

• Theoretical concepts: the hierarchy of a production
• Responsibilities of a production manager and assistant director
• Artistic direction
• Storyboarding and image grammar
• Scouting (technical)
• Material preparation, rental management
• Workflow
• Rehearsals

Shooting

• Sound recording
• Mastering the camera and viewpoint
• Visual storytelling
• Using light to influence emotions
• Building a cinematic image
• Directing actors

Postproduction

• Editing: techniques and grammar
• Sound design: sound effects, audio narration
• Interaction with a music composer
• Color grading: the power of image treatment and visual aesthetics
• Introduction to special effects with After Effects
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INTRODUCTION
(scroll down for the course description — see below)

I'm a young professional in the film industry and have worked with partners such as Vice, Sony, Unicef and WWF, as well as many musicians, architects, non-profit organizations and independent creators. My experience spans director, editor, DOP, assistant editor, focus puller, author, electrician and production assistant.

I studied Cinema at LUCA School of Arts Brussels and Supermedia at UMPRUM in Prague. My strength lies mainly in combining music and cinematography: experimental video art, arthouse films, music videos, and dance and music films. I also completed training in team coordination, so I can edit efficiently and stay organised.

I work both for large companies and the music industry, as well as on small, independent project, depending on whether the music speaks to me.

I'll teach you how to edit videos and films, for personal or commercial use. My software of choice is the full Adobe suite; for sound I use Ableton, and to a lesser extent Pro Tools.

I've completed several artistic residencies as part of my own practice and describe myself as a multidisciplinary artist. My work has appeared in several international magazines with around 700,000 monthly readers, and has received international attention.

COURSE DESCRIPTION

In this course you'll learn:

Which software you need and how the interface works
The difference between codecs and technical specifications (aspect ratio, frame rate, ...)
The key features and possibilities of Adobe Premiere
Practical editing using your own footage, through focused editing sessions, working toward a result you're happy with
How to build visual and musical rhythm and explore sound
The difference between a phenomenological, intuitive approach and a prepared, structured setup
How to maintain a healthy workflow, for yourself and your computer
Keyboard shortcuts and efficient cutting and editing techniques
How to export correctly with the right settings
How to communicate with clients
How to prepare yourself visually for a project
The basics of color correction and grading
How to properly deliver/transfer files
How to keep your workflow as minimal and streamlined as possible
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