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This teacher has a fast response time and rate, demonstrating a high quality of service to their students.
Since February 2014
Instructor since February 2014
Translated by Google
Percussions and rhythms of the world /
From 34.83 £ /h
The world of rhythm and drums from around the world attracts you... you are a novice or want to improve your skills, you are looking for workshops in private lessons or in groups,...
Welcome!
Multi-percussionist on stage and in the studio, experienced teacher and performing artist for over 25 years, I offer introductory, development and advanced modules in world percussion, for all audiences.
(individual, group and internship courses)
The educational objective is based initially on the acquisition of general notions in rhythmic solfege, various instrumental techniques and a repertoire of rhythmic-melodic vocabulary, subsequently supplemented by the exploration of polyrhythm and improvisation.
By listening to and reproducing more or less long and complex rhythmic patterns and cells, it will be a question of acquiring all-terrain bases, of recognizing and refining one's own playing dynamics, of understanding the principle of orchestration and of opening oneself to the incredible experience of trance.
Percussion lessons always involve several instruments and levels:
For all levels:
congas, bongos, bata drums, cajon, bendir and tär (frame drums), djembe, dundun,
drums
and minor percussion (accessories: shaker, triangle, karkabou...
And also for novices & intermediates:
Indian tablas
Point essentially addressed for a musical and psycho-sensory immersion work:
the roles of rhythmic instruments in contemporary, ethnic and scholarly music, and the metrics of each musical current.
the strokes specific to each instrument and a playful rhythmic solfeggio (visualization, learning and interpretation of rhythmic sequences by writing and / or voicing)
the poly-rythmie around current musics and world music (African, Caribbean, Indian and oriental traditions): simultaneous combination of rhythmic cells, sometimes of different size, to form a rich, well-rounded and harmonious phrase.
groove and inner pulsation (or inner partition)
guided improvisation and discovery of one's own interpretive fiber.
orchestration or arrangement of instrument families in an orchestra.
the song and the breath, the setting in voice and in space of the rhythm, to refine the sensory language of an adequate dynamic gesture.
I provide on request personal work media (CDs, scores, videos).
Apart from stage music, I also work for live shows (storytelling, theater, circus, pantomime, contemporary dance ...), documentary film and audio-visual.
I frequently intervene in musical awakening for early and middle childhood (maternity hospitals, schools, leisure centers) and also in specialized settings (day hospitals, IME) and at home, as part of mediation actions in art. therapy.
Hoping to share with you my passion for teaching and the melody of rhythm.
Stéphane
Musically !
Welcome!
Multi-percussionist on stage and in the studio, experienced teacher and performing artist for over 25 years, I offer introductory, development and advanced modules in world percussion, for all audiences.
(individual, group and internship courses)
The educational objective is based initially on the acquisition of general notions in rhythmic solfege, various instrumental techniques and a repertoire of rhythmic-melodic vocabulary, subsequently supplemented by the exploration of polyrhythm and improvisation.
By listening to and reproducing more or less long and complex rhythmic patterns and cells, it will be a question of acquiring all-terrain bases, of recognizing and refining one's own playing dynamics, of understanding the principle of orchestration and of opening oneself to the incredible experience of trance.
Percussion lessons always involve several instruments and levels:
For all levels:
congas, bongos, bata drums, cajon, bendir and tär (frame drums), djembe, dundun,
drums
and minor percussion (accessories: shaker, triangle, karkabou...
And also for novices & intermediates:
Indian tablas
Point essentially addressed for a musical and psycho-sensory immersion work:
the roles of rhythmic instruments in contemporary, ethnic and scholarly music, and the metrics of each musical current.
the strokes specific to each instrument and a playful rhythmic solfeggio (visualization, learning and interpretation of rhythmic sequences by writing and / or voicing)
the poly-rythmie around current musics and world music (African, Caribbean, Indian and oriental traditions): simultaneous combination of rhythmic cells, sometimes of different size, to form a rich, well-rounded and harmonious phrase.
groove and inner pulsation (or inner partition)
guided improvisation and discovery of one's own interpretive fiber.
orchestration or arrangement of instrument families in an orchestra.
the song and the breath, the setting in voice and in space of the rhythm, to refine the sensory language of an adequate dynamic gesture.
I provide on request personal work media (CDs, scores, videos).
Apart from stage music, I also work for live shows (storytelling, theater, circus, pantomime, contemporary dance ...), documentary film and audio-visual.
I frequently intervene in musical awakening for early and middle childhood (maternity hospitals, schools, leisure centers) and also in specialized settings (day hospitals, IME) and at home, as part of mediation actions in art. therapy.
Hoping to share with you my passion for teaching and the melody of rhythm.
Stéphane
Musically !
Extra information
I would advise you, if you wish, to eventually acquire your own instrument.
Do not hesitate to ask me for a referral or a possible search.
Do not hesitate to ask me for a referral or a possible search.
Location
At student's location :
- Around Montpellier, France
At teacher's location :
- Le Coulet, Saint-Maurice-Navacelles, France
Online from France
About Me
The sound material is wonderfully alive, sacred and in perpetual motion.
Discovering the piano and comedy from the age of 5,
I am passionate about percussion of the world, from 13 years old, in contact with the Senegalese sabar and the derbouka.
At the crossroads of music from India and the Middle East
African drums (under the luminous glasses of Antoine Ore Lago, soloist of the National Ballet of Abidjan, Pierre Marcault, Modou Gaye and Soundioulou Sissoko), Cubans and Afro-Caribbean (with Miguel Anga Diaz, Orlando Poleo and Miguel Gomez )
from the trance of Gnawa to current music,
I give full space to a colorful and intuitive creativity.
At 20, I completed my training in Afro-Cuban percussion.
I develop the uniqueness of a game fed by multiple stylistic influences, through a wide range of artistic collaborations
and co-creative meetings ...
Several instruments inspire my exploration of melody and rhythm:
Congas, Bongos, Cajon, Batas Drums
Djembe, Dunduns
Indian tablas, Tär, Bendir
Claves, Shakers, Logdrum, Gongs ... minor percussions.
Drums
Clarinet
Voice
It is always in the continuity of a passionate self-taught trip, that I devote myself to dramatic expression,
mime, storytelling, staging and, since 2003, care and art therapy, through bioenergetics, the symbolism of archetypes and music therapy.
... composer, singer, choir director,
actor, professor of theater and body language,
Teaching in ethnic percussion and intervening in music therapy and musical awakening, I like to transmit my ever growing desire for free expression and meeting.
Discovering the piano and comedy from the age of 5,
I am passionate about percussion of the world, from 13 years old, in contact with the Senegalese sabar and the derbouka.
At the crossroads of music from India and the Middle East
African drums (under the luminous glasses of Antoine Ore Lago, soloist of the National Ballet of Abidjan, Pierre Marcault, Modou Gaye and Soundioulou Sissoko), Cubans and Afro-Caribbean (with Miguel Anga Diaz, Orlando Poleo and Miguel Gomez )
from the trance of Gnawa to current music,
I give full space to a colorful and intuitive creativity.
At 20, I completed my training in Afro-Cuban percussion.
I develop the uniqueness of a game fed by multiple stylistic influences, through a wide range of artistic collaborations
and co-creative meetings ...
Several instruments inspire my exploration of melody and rhythm:
Congas, Bongos, Cajon, Batas Drums
Djembe, Dunduns
Indian tablas, Tär, Bendir
Claves, Shakers, Logdrum, Gongs ... minor percussions.
Drums
Clarinet
Voice
It is always in the continuity of a passionate self-taught trip, that I devote myself to dramatic expression,
mime, storytelling, staging and, since 2003, care and art therapy, through bioenergetics, the symbolism of archetypes and music therapy.
... composer, singer, choir director,
actor, professor of theater and body language,
Teaching in ethnic percussion and intervening in music therapy and musical awakening, I like to transmit my ever growing desire for free expression and meeting.
Education
ISAAC School of Paris (School of Latin Music) - currently Tematica
Conservatory of Chelles (92) in Ethnic Percussions, with Pierre Marcault
Trained in Cuban percussion with Miguel Anga Diaz and Miguel Gomez.
Music Conservatory of the 19th arr. de Paris (piano section)
Conservatory of Chelles (92) in Ethnic Percussions, with Pierre Marcault
Trained in Cuban percussion with Miguel Anga Diaz and Miguel Gomez.
Music Conservatory of the 19th arr. de Paris (piano section)
Experience / Qualifications
Composition, Beat making & Sound Design in MAO
(film music, soundtracks, illustrations and soundscapes)
Studio recording, mixing, arrangement
Scenes and tours
Artistic direction
Teacher training
Team Building
Sound therapy and voice
Actor, direction and direction of actor
(film music, soundtracks, illustrations and soundscapes)
Studio recording, mixing, arrangement
Scenes and tours
Artistic direction
Teacher training
Team Building
Sound therapy and voice
Actor, direction and direction of actor
Age
Preschool children (4-6 years old)
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
60 minutes
90 minutes
120 minutes
The class is taught in
French
English
Spanish
Reviews
Availability of a typical week
(GMT -05:00)
New York
At teacher's location and via webcam
At student's home
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
SOFTWARE AND HARDWARE REQUIREMENTS
Logic Pro 10 or 11: Overview, Highlights, Innovations, and Misconceptions
Connecting and configuring your devices
Choice of equipment according to your budget and your needs
Configuring and optimizing your Home Studio
Software Preferences and Settings
Downloading and managing sound libraries
PROJECT MANAGEMENT IN LOGIC PRO
Creating and configuring a new project
Managing Logic Pro Modes (Simplified or Expert)
Preferences and settings for the software and your projects
Tempo, metronome, count-in, time signature and key configuration
Instant backup, folder, package
THE LOGIC PRO INTERFACE
The different windows
Main and secondary tools, Zooms, keyboard shortcuts
Console Strip, Track, Region Inspectors, Using Help
The library, patches, modules (plug-ins), sounds
Logic Pro browsers (Apple loops, lists, etc.)
MIDI, Audio Editors and Session Player
The mixing table
Command and display bar, the toolbar
MIDI IN LOGIC PRO
Instrument Track: Creating, Customizing the Track
MIDI Recording
Setting the metronome, count-in and latency
Choose an instrument, a sound, a patch
Recording modes: Live, step, folder, autopunch
Editing: Tools, Piano Roll, Score Editor and Step Editor
Quantization, resizing, velocity, legato, expression, modulation
MIDI automation
THE LOGIC PRO SESSION PLAYER
The Session Player; Logic Pro's virtual instrumentalists
Acoustic Drummer: Choosing a drummer, modifying elements, editing the game, swinging and humanizing
Bass and Keyboard Player: Choosing a Sound, Articulations, Playing Mode and Variations
Structure
ULTRABEAT
Ultrabeat interface, sounds and styles of the 100 drum kits
Beat-Making: Internal sequencer, full view mode and pattern mode
Accent, Velocity, Gate and Swing parameters
Introduction to Step Sequencer associated with Ultrabeat, Pattern Regions
THE APPLE LOOPS
Loop Types: Audio, MIDI, Patterns and Session Player
Organization, filters and search by instrument, styles and sound
Browser, tempo, length, keys, modifications
Creating, saving and archiving personal Apple Loops
Building an arrangement with Apple Loops
DIGITAL AUDIO RECORDING
Recording: pre-amp, AD/DA conversion, latency, buffer and monitoring
Project Settings: Sample Rate and Bit Depth
Track-by-track recording and multi-track recording
Managing Autopunch and Replace modes
Take files and alternate tracks
Cycle Mode
EXPLORING KONTAKT
Kontakt is your gateway to an unparalleled treasure trove of virtual instruments. More than a sampler, Kontakt has powered two decades of blockbuster film scores and chart-topping hits, along with thousands of incredible instruments.
AUDIO EDITING IN LOGIC PRO
Take comping: audio editing and export
Editing tools: Selector, resizing, fade, crop...
Using Flex for Timestretch/Warp
Audio quantization and transient management
Flex Pitch: Correcting pitch and creating harmonies
Insert silences
CONFIGURING GLOBAL TRACKS IN LOGIC PRO
Layout: Structure of the arrangement
Markers: Landmarks and navigation
Alteration: General tonality and time signature
Tempo: Tempo changes in global tracks or the list editor
Chord tracks associated with Player Bass and Piano sessions
THE LOGIC PRO MIXING DESK
The different console slices
Track header components, mute, solo listens (tracks/region)
Panoramic management
Organize Track Stacks, Groups, VCAs
Bus and auxiliary management for routing
Insert and/or auxiliary processing and effects
AUTOMATION
General techniques for adding dynamics to your mixes
Recording automations: Read, touch, latch and write
Track/Region Automation and Automation Editing
Assigning Controllers to Automation Parameters
SHARING AND EXPORTING A PROJECT
Backup: folder or package, archiving, backup, Time Machine
Normalization and pre-mastering
Export to the correct format depending on the final media
Logic Pro 10 or 11: Overview, Highlights, Innovations, and Misconceptions
Connecting and configuring your devices
Choice of equipment according to your budget and your needs
Configuring and optimizing your Home Studio
Software Preferences and Settings
Downloading and managing sound libraries
PROJECT MANAGEMENT IN LOGIC PRO
Creating and configuring a new project
Managing Logic Pro Modes (Simplified or Expert)
Preferences and settings for the software and your projects
Tempo, metronome, count-in, time signature and key configuration
Instant backup, folder, package
THE LOGIC PRO INTERFACE
The different windows
Main and secondary tools, Zooms, keyboard shortcuts
Console Strip, Track, Region Inspectors, Using Help
The library, patches, modules (plug-ins), sounds
Logic Pro browsers (Apple loops, lists, etc.)
MIDI, Audio Editors and Session Player
The mixing table
Command and display bar, the toolbar
MIDI IN LOGIC PRO
Instrument Track: Creating, Customizing the Track
MIDI Recording
Setting the metronome, count-in and latency
Choose an instrument, a sound, a patch
Recording modes: Live, step, folder, autopunch
Editing: Tools, Piano Roll, Score Editor and Step Editor
Quantization, resizing, velocity, legato, expression, modulation
MIDI automation
THE LOGIC PRO SESSION PLAYER
The Session Player; Logic Pro's virtual instrumentalists
Acoustic Drummer: Choosing a drummer, modifying elements, editing the game, swinging and humanizing
Bass and Keyboard Player: Choosing a Sound, Articulations, Playing Mode and Variations
Structure
ULTRABEAT
Ultrabeat interface, sounds and styles of the 100 drum kits
Beat-Making: Internal sequencer, full view mode and pattern mode
Accent, Velocity, Gate and Swing parameters
Introduction to Step Sequencer associated with Ultrabeat, Pattern Regions
THE APPLE LOOPS
Loop Types: Audio, MIDI, Patterns and Session Player
Organization, filters and search by instrument, styles and sound
Browser, tempo, length, keys, modifications
Creating, saving and archiving personal Apple Loops
Building an arrangement with Apple Loops
DIGITAL AUDIO RECORDING
Recording: pre-amp, AD/DA conversion, latency, buffer and monitoring
Project Settings: Sample Rate and Bit Depth
Track-by-track recording and multi-track recording
Managing Autopunch and Replace modes
Take files and alternate tracks
Cycle Mode
EXPLORING KONTAKT
Kontakt is your gateway to an unparalleled treasure trove of virtual instruments. More than a sampler, Kontakt has powered two decades of blockbuster film scores and chart-topping hits, along with thousands of incredible instruments.
AUDIO EDITING IN LOGIC PRO
Take comping: audio editing and export
Editing tools: Selector, resizing, fade, crop...
Using Flex for Timestretch/Warp
Audio quantization and transient management
Flex Pitch: Correcting pitch and creating harmonies
Insert silences
CONFIGURING GLOBAL TRACKS IN LOGIC PRO
Layout: Structure of the arrangement
Markers: Landmarks and navigation
Alteration: General tonality and time signature
Tempo: Tempo changes in global tracks or the list editor
Chord tracks associated with Player Bass and Piano sessions
THE LOGIC PRO MIXING DESK
The different console slices
Track header components, mute, solo listens (tracks/region)
Panoramic management
Organize Track Stacks, Groups, VCAs
Bus and auxiliary management for routing
Insert and/or auxiliary processing and effects
AUTOMATION
General techniques for adding dynamics to your mixes
Recording automations: Read, touch, latch and write
Track/Region Automation and Automation Editing
Assigning Controllers to Automation Parameters
SHARING AND EXPORTING A PROJECT
Backup: folder or package, archiving, backup, Time Machine
Normalization and pre-mastering
Export to the correct format depending on the final media
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