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Since September 2020
Instructor since September 2020
Drama acting (theater) for everyone professionally or just as hobby
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From 29 £ /h
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Acting on stage is the same as life, but exactly the opposite! This is something I've learnt from my Professor. I believe everything has million points of view and the actor/ess should be able to see true many not only one point. I can guide you true finding the character, building it, all done by boosting your imagination. Whether you're getting ready for student candidate, already studying or graduated, professional actor/ess, I can help you out.
Extra information
Unlock your "child mind" and use your imagination.
Location
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At student's location :
  • Around Croydon, United Kingdom
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Online from United Kingdom
About Me
I've graduated drama last year at Plovdiv University in the class of Leonard Kapon. Came in London to follow my dream ans meanwhile I'd like to share my knowledge and passion with you!
Education
Bachelor in Plovdiv University, 4 years / 8 semesters education time. My diploma is 5,50 / A. Before that I've studied drama for 3 years in school. I believe that's all with my acting education.
Experience / Qualifications
I have some on camera experience but most of it is on stage. I've played in few plays. I used to play the guitar but I'm afraid I've forgotten most if it.
Age
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
60 minutes
The class is taught in
English
Bulgarian
Skills
Availability of a typical week
(GMT -05:00)
New York
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Online via webcam
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At student's home
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
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Thora
Studying for an audition and want some help working on monologues or duologues?
Wanting to induce a more dramatic performance in to your song?
Interested in how drama skills can help your public speaking/presentation and communication skills?

Or just generally curious about anything drama or acting related - whether it's about analysing a text, writing your own script or delving more into any of the many methods you can use to develop your skills as an actor an performer?

Then I might be able to help you!

I'm a professional actor, trained at Cygnet Theatre in Exeter, now living in London. I have extensive experience performing in immersive theatre - communicating, catching and holding the attention of a wide variety of people.

I also have experience in storytelling, working with and teaching children of all ages, as well as writing and producing theatre.

Starting drama classes as a teenager was one of the most important things I ever did. It help me build confidence, develop empathy and ground me as the person I am today.

I love performing and creating experiences for my audience - watching their faces as they're surprised, entertained or disgusted by the stories I tell.

But just as important as that is the opportunity to share some of the tools I learned from drama school with other people - tools that can be used every day in communication, emotional regulation and play.

I am more than happy to tailor classes to your specific needs, so if you think I can help you out, get in touch and we will talk!
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Kamil
My lessons are primarily for adults. You can be needing a coach for an audition or a full production, maybe you want to find that spark again by trying a different method, or you might want to try acting out, great! I can adjust to whatever you need. My lessons are at least an hour or more. I have a vocal/light physical warm-up that I like to do at the beginning of subsequent lessons. I remember one of my first teachers saying "An actor should be a blank canvas." And this made sense at first. So I went up on our small stage to do a monologue and it was terrible. My teacher said, "Kamil, you didn't really do anything." "Well, yeah? I am a blank canvas" As a neurodiverse person, I am overanalytical, literal, incredibly anxious and have difficulty speaking with full confidence.

However, my Master's level education from Bristol Old Vic Theatre School has given me a toolkit where I can work towards placing my self-doubt and uncertainty behind 'The Work.' The Work is the hours you've spent in the text, the pencil markings in the script, the crinkled pages from taking it in and out of your backpack. It's the objective truth that you can rely on when your self-awareness doesn't want you to be the character, when you can feel an audience member looking at you, when the person behind the camera laughs at something you didn't inherently think was funny. It's your character's lifesaver.

For those that may require more structure when they receive text, I can help you deconstruct that overwhelming building into its key components. Whether it's from a play you've been newly cast in, a voiceover script you can't wrap your head around, or just a simple self-tape, we can work to break down text that lets BE that blank canvas on the day, but you know what paints you've used, what strokes you can utilise, you know the feel of the paintbrush from all the canvases you've practised on. Also, it's a good way to memorise lines. And that's just a nice bonus.
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Contact Yoana
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Similar classes
arrow icon previousarrow icon next
verified badge
Thora
Studying for an audition and want some help working on monologues or duologues?
Wanting to induce a more dramatic performance in to your song?
Interested in how drama skills can help your public speaking/presentation and communication skills?

Or just generally curious about anything drama or acting related - whether it's about analysing a text, writing your own script or delving more into any of the many methods you can use to develop your skills as an actor an performer?

Then I might be able to help you!

I'm a professional actor, trained at Cygnet Theatre in Exeter, now living in London. I have extensive experience performing in immersive theatre - communicating, catching and holding the attention of a wide variety of people.

I also have experience in storytelling, working with and teaching children of all ages, as well as writing and producing theatre.

Starting drama classes as a teenager was one of the most important things I ever did. It help me build confidence, develop empathy and ground me as the person I am today.

I love performing and creating experiences for my audience - watching their faces as they're surprised, entertained or disgusted by the stories I tell.

But just as important as that is the opportunity to share some of the tools I learned from drama school with other people - tools that can be used every day in communication, emotional regulation and play.

I am more than happy to tailor classes to your specific needs, so if you think I can help you out, get in touch and we will talk!
verified badge
Kamil
My lessons are primarily for adults. You can be needing a coach for an audition or a full production, maybe you want to find that spark again by trying a different method, or you might want to try acting out, great! I can adjust to whatever you need. My lessons are at least an hour or more. I have a vocal/light physical warm-up that I like to do at the beginning of subsequent lessons. I remember one of my first teachers saying "An actor should be a blank canvas." And this made sense at first. So I went up on our small stage to do a monologue and it was terrible. My teacher said, "Kamil, you didn't really do anything." "Well, yeah? I am a blank canvas" As a neurodiverse person, I am overanalytical, literal, incredibly anxious and have difficulty speaking with full confidence.

However, my Master's level education from Bristol Old Vic Theatre School has given me a toolkit where I can work towards placing my self-doubt and uncertainty behind 'The Work.' The Work is the hours you've spent in the text, the pencil markings in the script, the crinkled pages from taking it in and out of your backpack. It's the objective truth that you can rely on when your self-awareness doesn't want you to be the character, when you can feel an audience member looking at you, when the person behind the camera laughs at something you didn't inherently think was funny. It's your character's lifesaver.

For those that may require more structure when they receive text, I can help you deconstruct that overwhelming building into its key components. Whether it's from a play you've been newly cast in, a voiceover script you can't wrap your head around, or just a simple self-tape, we can work to break down text that lets BE that blank canvas on the day, but you know what paints you've used, what strokes you can utilise, you know the feel of the paintbrush from all the canvases you've practised on. Also, it's a good way to memorise lines. And that's just a nice bonus.
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Contact Yoana