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Since February 2018
Instructor since February 2018
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Singing lessons and vocal technique in contemporary music, jazz, world
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From 42.87 £ /h
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I teach vocal technique since 1997, and conduct choirs (BNP Paribas, XX Ensemble Music etc) and jazz workshops, contemporary music and world voices since 2003 in Paris and the Southern Alps.
I am a singer and songwriter, pianist, arranger.
I am part time in Seine & Marne & Paris. Trainings: Stage of Musical Comedy at Théâtre de Chaillot with Christiane Legrand (1993), Higher School of Jazz (voice) at CIM in Paris (1996), Training for the DE in jazz (Ministry of Culture, National Conservatory of Paris, 2000 ) and Training of Trainers in Contemporary Music at the Studio des Variétés in Paris (2001), jazz piano & Brazilian music course at the Bill Evans School in Paris.
Extra information
Feel free to discover my singing skills on the net, I intend to take you far in learning and mastering the vocal technique by the pleasure of singing and the discovery of the singing body.
Location
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At student's location :
  • Around Provins, France
  • Around Gouaix, France
  • Around Bray-sur-Seine, France
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At teacher's location :
  • Gouaix, France
  • 93170 Bagnolet, France
Age
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
60 minutes
The class is taught in
French
English
Russian
Bulgarian
Czech
Skills
Availability of a typical week
(GMT -05:00)
New York
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At teacher's location
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At student's home
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
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Jérôme
Indian music is enjoying growing success with Western audiences. Because more and more artists are performing in our latitudes (especially in venues such as the Théâtre de la Ville, the Musée Guimet in Paris, etc.), and also because the discovery of music with a traditional system of learning arouses the interest of many people who would like to approach music differently; and there are many links between the Indian and Western tradition, due to the universal character of music but also to the fact that India has been able to preserve modes of transmission that have long since disappeared in the West, but which have nothing to envy in terms of efficiency. to modern methods.

I propose learning the song of North India, in the dhrupad style, the oldest still transmitted today. Its advantage is that it offers a gradual approach to ragas (musical motifs that could be compared to modes), note by note, without the need for prior knowledge or talent as a virtuoso: the practice is based on the 'listen. Over the course of practice, it nevertheless makes it possible to acquire a great mastery of the voice.

The lesson, which lasts one hour (half for children), takes place accompanied by the tampura, an instrument that gives the "drone" or fundamental/tonic note. It is from this persistent note that the student will learn to place his voice, to find the correctness of tone and timbre. This is done gently, the pace of learning adapting to that of the student.
In addition, the achievements in this style of singing can always be useful later for other styles of music, even outside India, up to jazz and classical/baroque music.
My apprenticeship was for twelve years with one of the 19th generation masters teaching this tradition, Ustad H. Sayeeduddin Dagar, belonging to the illustrious family which made this style and Indian music known in the West in the years 1960. It has now continued for four years with his nephew Ustad F. Wasifuddin Dagar.

Lessons are private, or in weekly workshops in Paris near Bastille (see my website musicosophe[point]fr).
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Similar classes
arrow icon previousarrow icon next
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Jérôme
Indian music is enjoying growing success with Western audiences. Because more and more artists are performing in our latitudes (especially in venues such as the Théâtre de la Ville, the Musée Guimet in Paris, etc.), and also because the discovery of music with a traditional system of learning arouses the interest of many people who would like to approach music differently; and there are many links between the Indian and Western tradition, due to the universal character of music but also to the fact that India has been able to preserve modes of transmission that have long since disappeared in the West, but which have nothing to envy in terms of efficiency. to modern methods.

I propose learning the song of North India, in the dhrupad style, the oldest still transmitted today. Its advantage is that it offers a gradual approach to ragas (musical motifs that could be compared to modes), note by note, without the need for prior knowledge or talent as a virtuoso: the practice is based on the 'listen. Over the course of practice, it nevertheless makes it possible to acquire a great mastery of the voice.

The lesson, which lasts one hour (half for children), takes place accompanied by the tampura, an instrument that gives the "drone" or fundamental/tonic note. It is from this persistent note that the student will learn to place his voice, to find the correctness of tone and timbre. This is done gently, the pace of learning adapting to that of the student.
In addition, the achievements in this style of singing can always be useful later for other styles of music, even outside India, up to jazz and classical/baroque music.
My apprenticeship was for twelve years with one of the 19th generation masters teaching this tradition, Ustad H. Sayeeduddin Dagar, belonging to the illustrious family which made this style and Indian music known in the West in the years 1960. It has now continued for four years with his nephew Ustad F. Wasifuddin Dagar.

Lessons are private, or in weekly workshops in Paris near Bastille (see my website musicosophe[point]fr).
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