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Since July 2019
Instructor since July 2019
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1 repeat student
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Violin and chamber music classes for beginner/intermediate
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From 31 £ /h
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During my training, I had the opportunity to study with famous teachers with whom I was able to discover different violin techniques and different pedagogical approaches, which allowed me to create my own methodology. If Italy gave me the passion of sharing and communication (a typical Italian characteristic), Belgium taught me to convey a message, an idea in a concrete way. My meeting with Mr Lawson also made me aware of the importance in the life of an artist to share his knowledge, and teaching is for me the best way to put this sharing into practice.
Extra information
Bring your violin and I will give you books or copies of specifics studies
Location
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At student's location :
  • Around Brussels, Belgium
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At teacher's location :
  • Rue de la Crêche, 1050 Ixelles, Belgium
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Online from Belgium
About Me
During my training, I had the opportunity to study with illustrious teachers with whom I was able to discover different violin techniques and different pedagogical approaches, which allowed me to create my own methodology. If Italy gave me a passion for sharing and communication (a typically Italian characteristic), Belgium taught me to convey a message, an idea in a concrete way. My meeting with Mr Ilya Grubert, Mr Shirly Laub and Mr Lawson made me aware of the importance in the life of an artist to share his knowledge, and teaching is for me the most beautiful way to put this sharing into practice.
I use a method according to the student: what is always central is the sound and the transmission of an emotion, even with a simple piece or a study. Technique and posture are also important in my teaching, and I strive to find, for each student and step by step, a way of playing that is as healthy as possible.
Also pursuing activities as a professional musician, I nevertheless have at heart that learning and pedagogy are part of my daily life, and I envisage with both a lot of seriousness and a lot of pleasure the work with the students and the transmission of musical knowledge.
Education
Gabriele born in Padua in 1995, graduated with highest honors at the "A. Steffani" Conservatory of Castelfranco Veneto where he also obtained the "Zambon" prize in 2017 as best student.
Settled in Belgium since 2017, between 2019 and 2021 he obtained the “Master in violin” and the “Master specialized in violin” with Grand Distinction, by studying at the Royal Conservatory of Mons Arts2 and at the Royal Conservatory of Brussels in the class of Shirly Laub, Eliot Lawson, Wibert Aerts and Frederic d'Ursel.
During his training, Gabriele also studied with Ilya Grubert and Stefano Pagliani at the Fondazione Musicale Santa Cecilia in Italy, Elina Vahala at the Hochschule Fur Musik Karlsruhe and took masterclasses with Elisabeth Perry, Ivry Gitlis, Igor Volochine, Vineta Sareika, Kati Sebestyén, Chouchane Sironossian and Nana Kawamura and chamber music with Muhiddin Dürrüoğlu, Enrico Bronzi and Filippo Faes.
Experience / Qualifications
He has collaborated with several orchestras: in Belgium the Philharmonic Orchestra Flanders, and Boho Strings Orchestra in Antwerp, the Ataneres Ensemble in Louvain, the Chapelle Musicale de Tournai in Tournai, the Assai Symphonia in Hasselt; in Italy the Orchestra di Padova e del Veneto OPV in Padua, the Orchestra d'archi Italiani ODAI and the Orchestra del Teatro Olimpico OTO in Vicenza.
Since March 2022, he has been an assistant violinist in the “Belgian National Orchestra BNO” in the premiere violon tutti.

In 2018 Gabriele won the audition for the Jeugd Antwerp Simphony Orchestra (ASOJ) and for the Nationaal Jeugd Orkest (NJO); in 2019 he won the audition for European Union Youth Orchestra (Euyo) and Orchestra del Teatro Olimpico di Vicenza (OTO) and also the Antwerp Philharmonic Orchestra.

Since 2018, he has been very involved in the chamber music repertoire, playing with pianists Julien Lejeune and Marco Mantovani. Focused on the Franco-Belgian repertoire and the Italian repertoire of the beginning of the 20th century (Busoni, Fano, Dallapiccola, Respighi) he has performed at the Arsonic in Mons, Atelier Marcel Hastir and Art Base in Brussels or at the Academia Belgica de la Villa Borghese in Rome, and was a finalist in the competition organized by the Wallonia-Brussels Federation "Generation Classique 2021".
In October 2021 he also won the “Giovanni Guglielmo" prize in Padua in duo with pianist Marco Mantovani.

Passionate about teaching and didactics, he specialized at the Royal Conservatory of Mons Arts2 and in 2021 he obtained the Agregation diploma with Distinction. Since October 2021, he has been teaching the violin as part of the El Sistema project organized by the Asbl ReMuA in Brussels.
Gabriele also studied at the University of Padua in the Faculty of History and Musicology.
Age
Preschool children (4-6 years old)
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
45 minutes
60 minutes
The class is taught in
French
Spanish
Italian
English
Reviews
Availability of a typical week
(GMT -04:00)
New York
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At teacher's location and via webcam
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At student's home
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
After studying at the A. Steffani Conservatory of Castelfranco Veneto in Italy where he obtained the highest distinction, Gabriele then completed his Master's degree in violin with distinction at the Royal Conservatory of Mons with M° Eliot Lawson and Wibert Aerts. During his training, Gabriele also studied with Ilya Grubert at the Fondazione Musicale Santa Cecilia in Italy, Elina Vahala at the Hochschule Fur Musik Karlsruhe and took masterclasses with Ivry Gitlis, Stefano Pagliani, Elisabeth Perry, Igor Volochine, Vineta Sareika, Kati Sebestyén and Chouchane Sironossian. He is currently studying at the Royal Conservatory of Brussels with M° Shirly Laub and M° Frédéric d'Ursel in a specialized master's degree and Agrégation at the Royal Conservatory of Mons.

In 2018, Gabriele won the audition for the Jeugd Antwerp Simphony Orchestra (ASO) and for the Nationaal Jeugd Orkest (NJO); in 2019 he won the audition for European Union Youth Orchestra (Euyo) and Orchestra del Teatro Olimpico di Vicenza (OTO) and is also selected in 2020 for the Young Belgian Strings as well as the Antwerp Philarmonic Orchestra. He has collaborated with several orchestras in Italy and Belgium, including the Boho Strings Orchestra in Antwerp, the Ataneres Ensemble in Louvain, the Chapelle Musicale de Tournai in Tournai, the Assai Symphonia in Hasselt, the Orchestra of Archi Italiani and the Orchestra del Teatro Olimpico in Vicenza, Italy.

Very involved in the chamber music repertoire, Gabriele founded in 2018 with the pianist Julien Lejeune the Duo Aréthuse, in which they explore the romantic French and contemporary Italian repertoire, in search of an interpretation marked by accuracy, simplicity and of modernity. They are at the initiative of the creation in 2019 of the Hellens Ensemble, consisting of a string quartet, a piano and a lyrical singer, an ensemble with which they are interested in Belgian music and more particularly to the repertoire with voice.

Gabriele also studied at the University of Padua at the Faculty of History and Musicology.
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Gabriel, born in Padoue in 1995, obtained his diploma with the highest mention at the "A. Steffani" Conservatory of Castelfranco Veneto and also obtained the "Zambon" prize in 2017 as the best.
Based in Belgium since 2017, 2019 and 2021, he obtained the “Master en violon” and the “Master spécialisé en violon” with Grand Distinction, as a student at the Conservatoire Royal de Mons Arts2 and at the Conservatoire Royal de Bruxelles in the class of Shirly Laub, Eliot Lawson, Wibert Aerts and Frederic. d'Ursel.
During his training, Gabriele also studied with Ilya Grubert and Stefano Pagliani at the Fondazione Musicale Santa Cecilia in Italy, Elina Vahala at the Hochschule Fur Musik Karlsruhe and after master classes with Elisabeth Perry, Ivry Gitlis, Igor Volochine, Vineta Sareika, Kati Sebestyén, Chouchane Sironossian and Nana Kawamura and chamber music with Muhiddin Dürrüoğlu, Enrico Bronzi and Filippo Faes.
I collaborated with more orchestras: in Belgium, the Philharmonic Orchestra of Flanders, et Boho Strings Orchestra in Antwerp, l'Ataneres Ensemble à Louvain, la Chapelle Musicale de Tournai à Tournai, l'Assai Symphonia à Hasselt; in Italy, the Orchestra of Padova and Veneto OPV à Padoue, the Orchestra of the Italian Arch ODAI and the Orchestra of the Olympic Theater OTO of Vicenza; in Germany with “Mannheimer Philarmoniker”.
Starting in 2022, he will be part of the “Belgian National Orchestra BNO”, the “Orquesta della Fondazione Teatro Lirico Giuseppe Verdi” of Trieste and the “Sinfonieorchester Aachen” as assistant violinist.
Passionné dès son plus jeune âge par la musice historique informed, il approfondit sin 2022 l'étude du violon baroque con Joanna Huszcza, Ryo Terakado, Elisa Citterio, Mira Glodeanu, Giorgio Fava e Benoit Douchy. Between 2023 and 2025 he obtained the Bachelor cum Laude in Baroque Violin and in 2025 the Master cum Laude in Baroque Violin at the Koninklijk Conservatorium in Brussels. His carrier with the baroque violin is left behind: he collaborated after 2023 with the greatest historical music groups reported from Belgium by the “Ensemble Il Gardellino” and from Portugal by the “Ensemble Divino Sospiro”, in Italy with Ensemble Mare Nostrum and Ensemble Locatelli, in Canada with “Orquesta “Tafel Musique”

Since 2018, he is highly committed to the chamber music repertoire, playing with pianists Julien Lejeune and Marco Mantovani. Axé sur le répertoire franco-belge et au répertoire italien du debut du XXe siècle (Busoni, Fano, Dallapiccola, Respighi) il s'est produit à l' Arsonic à Mons, Atelier Marcel Hastir et Art Base à Bruxelles ou encore à l'Academia Belgica de la Villa Borghese à Rome.

Gabriele also studied at the University of Padua in the Faculty of History and Musicology.
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ENGLISH

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" UNIQUE "
What if telling your story with music could be fun and playful?

Don't waste hours going around in circles, constantly searching for videos on YouTube to learn in a simple and structured way.

To finally be able to express your feelings, your emotions, all through the guitar?

It's possible! And what we'll see through my lessons: you'll learn how to tune the instrument, practice its first chords, and quickly play your first songs.

Develop your ear and musical identity by exploring styles such as pop, rock, country, blues, jazz, bossa nova, funk just to name a few.

Discover and explore the richness of scales and modes to combine them with playing expressions like hammer-ons, pull-offs, legato, bends... Does that sound like Chinese to you? I understand. Through my lessons, all of this will no longer hold any secrets for you!

Whether you have no experience or a few weeks of practice under your belt, we will go step by step, taking into account your level, so that you progress at your own pace.

Without forgetting the most important thing: have fun!
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A professional musician for many years, I am both a teacher and active on the Belgian and international scene in various projects. I followed professional training at the CIM in Paris.

Beginner or experienced musician, private lessons allow you to progress effectively and adapt learning techniques to each individual. All levels, all ages, all styles and all guitars (classical, electric, folk, etc.) are welcome. (From the age of 8)

All these aspects can be approached according to your desires:
- Rhythmic and harmonic work
- Instrumental technique
- Work on sequences and songs
- Discovery of different musical styles (jazz, bossa, rock, funk, etc.)
- Approach to the various sound palettes of the guitar and the different types of games
- ...

Do not hesitate to contact me for more information.
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Professional saxophonist eager to teach and work to bring out the best version of yourself!

The lessons are intended for all levels, children or adults.
We follow a working method where you will continuously and deeply develop your musicality, way of playing, expressiveness and technique.
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Raúl is a Spanish saxophonist who finished his DIDACTIC MASTER in 2018 at the École Supérieure des Arts in Mons. Previously, he also completed a MASTER OF INTERPRETATION at the Royal Conservatory of Brussels (2015-2017) in the class of Alain Crepin and Simon Diricq.
He studied at the "Musikene" (Higher Conservatory of Music of the Basque Country) with Eric Devallon, Tomás Jérez, Antonio Felipe Belijar and Miguel Ángel Lorente.

Passionate about multidisciplinary artistic creation, he thinks of the mixing of all the arts in the same show as an aesthetic goal. This type of research could be observed in his project for his final master's recital in Brussels where he created a project based on Maslow's theory of the hierarchy of human needs where he mixed live, recorded music, dance, light shows and effects under the name: “according to Maslow... ”

In terms of his career as a concert artist, he has played in different ensembles (solo performances, duo, trio, quartet, orchestra...) and different countries such as Japan (Artisanal Musical Fair "Suono Italia" 2010), Belgium (Festival Musiq3 2016), Artonov Festival at BOZAR in 2016...), France (Dax chamber music festival 2011) or Spain (Music Festival “Quincena Musical” 2015, Aste Nagusia 2015, Heineken Jazzaldia 2014, Festival Kutxa 2015, Intercentros Melómano 2010).
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I'm Giorgos and i teach Lute and Classical guitar!
I have over 15 years of teaching experience, and have studied and have my Degrees from the Royal Conservatory of Brussels, both in Classical Guitar as well as Historical Plucked instruments.

I regularly perform in concert halls with orchestras and groups all around Europe, perform with my own ensembles based in Brussels and Italy, and enjoy an active teaching schedule.

My aim with teaching is to find the best way to facilitate the student to find their own voice and direction, and to help steer them on their preferred road of performance. The schedule and repertoire are decided by the student, and we plot a course together depending on your goals, whether that's aiming to place into an academy or the conservatories, or if you just enjoy playing music as a hobby and wish that it accompanies you through your life!

I'm looking forward to hear from you!
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I have two Bachelor's degrees at the Royal Conservatory of Music of Madrid and currently at the Koninklijke Conservatorium Brussels.

I have a Master's degree with Olsi Leka, premier cellist of the Belgian National Orchestra.

My courses are in Spanish, in Anglais et in french.
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Hello to everyone!
My name is María, I am a Venezuelan Cellist.
All my musical education was inside the musical program "El Sistema" in Venezuela. This education was based on preparing myself as a better human being though playing cello in orchestras, chamber music and as soloist.
I am current studying my Master degree at the Koninklijk Conservatorium Brussel.
In what consist my lessons?
Cello classes for all levels (beginner, intermediate and advanced), it does not matter if you have never played cello before or if you are already studying, the important thing is to help you achieve the goals you want with this beautiful instrument.
To have better results with practice, if it is necessary to help you with music theory, I will help you.
As well, if you're looking for help in orchestral excerpts for auditions, I'm here for you!
For kids, parental support is also important during some lesson, we are all a team and we need to work together to achieve the goals!
Classes can be in person at your house or mine (BRUSSELS, BELGIUM) or via videocall (Skype, Zoom, etc). The schedules are planned according to the time of the student and the teacher.

Looking forward to meeting you and work together!
Maria.
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Lessons in piano or harpsichord, with program and repertoire, adapted to the goals and speed of each student, whether young, not so young, or adult, for a general introduction to these instruments, for preparation for high music education, as a supplementary aid for exams in music academies, or for a hobby, or for amateur group music-making, or for developing qualities as concentration, discipline, expressibility, awareness of styles and music history.
In my teaching, I rely mostly on old traditional methods, books, and repertoire, which have proved their efficiency over the time. I also make use of the teaching tradition of partimenti of the old Neapolitan conservatories - exercises for composing that can be applied from early stage. This not only adds a creative element soon after very beginning, but also teaches via practice the basics of harmony and polyphony.
Lessons can be combined (+30min.) with theory/solfege (ear training), if the student wishes.
English, Nederlands, française, Deutsch.
I have been teaching for about 20 years, privately, in Brussels, and in New York in the past, more than 100 students.
I am a graduate of Koninklijk Conservatorium Brussel, in baroque cello and harpsichord, but I play also modern cello, organ, and piano.
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Je donne cours en français - Description disponible en Français
Do lezione in Italiano - Descrizione disponibile in Italiano

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The course method, inspired by the Agostini school (French method used in French and Belgian academies and conservatories) is divided between technique and drums. At the rate of one session each we will focus once on technique and movements outside the drums (on pads) and the other time on the drums and the application of technique and movements.

-> The technique lessons and the movements will be those of the so-called 'Moeller technique' that I learned through his direct lineage of student.
-> The drum lessons are greatly inspired by the pedagogy of the M.A.I. (Music Academy International - Nancy (fr)) and in particular that of Richard-Paul Morellini, renowned instructor.

The courses are complete, in-depth but above all specifically thought of to be progressive. They are suitable for children from 7 years old as well as adults of all ages.

=> Particular attention is paid to the movements and their correct application, to the total independence of the limbs and finally to an understanding of the rhythm and its theory. My main goal is to give the student complete control behind the drums and skills to be able to self-learn any piece in any musical style. 1 hour of weekly lessons are never enough, they should only be used to fuel the passion that will make you play at home more and more.

On demand or for advancs students:
- I am very passionate about the study of South American rhythms. Due to their complexity, apart from the samba and Baïon ostinatos, they are not included in the program before the advanced level. They can be at the request of the student.
- I am also specialized in metal (musical style) and double pedal. The latter is not included in the program unless requested by the student. The double pedal courses are based on the methodology of Virgil Donati.

Technique:
* Moeller technique (the 'whipping motion' - the Free stroke -Full/Half/Low stroke - accepting the rebound - its application etc.)
* Snare rudiments and their applications through reading systems
* Readings of scores and exercises for the snare drum
* Speed drills
* Military marches
* Control of the different subdivisions (quarter notes - eighth notes - triplets - sixteenth notes - quintuplets - sextuplets - triple eighth notes - nonolets etc.)
* Displacement of accents and polyrhythms
* On request, double pedal technique (application of the Moeller to the double pedal as well as everything listed above but with the feet)

Drums:
* Bass drum reading and independance
* Snare drum reading and independance
* Applications of ghost notes
* The 16 sixteenth-notes ostinatos
* Jazz readings and independence
* Binary and ternary readings
* Coordination and movements of both feet
* Dynamics on the instrument
* Creation of fills and original drum grooves
* On request, application of the double pedal
* On request or for advanced students, readings and independence of South American rhythms (study and independence of the clave/Cascara/Mozambique etc.)
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I study the horn at the Royal Conservatory of Brussels, and I offer music theory/musical training lessons for all ages from 7 years old, for levels ranging from beginner to first year of conservatory.
I am now a psychology student at UGent, and I also play the cello.
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Have you ever listened to a piece of music and wanted to understand more about it?

I’m offering personalized music lessons, where YOU decide what to explore! Whether you're curious about harmony, rhythm, musical styles from around the world, or any other concept, I will tailor each lesson to your interests. And if there’s a topic I’m not familiar with yet, I’ll take the time to learn and prepare the lesson just for you.

Or, if you prefer, embark on a guided introduction to music, exploring essential concepts through carefully selected listening examples from across the globe.
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I am a professional musician and multi-instrumentalist (violin, viola da gamba, cello, viola, guitar, piano).
I teach different styles — baroque, classical, modern, folk and improvisation — with a method centered on the psychophysical freedom of musical gesture.

⭐ What you will learn
• a healthy, natural and tension-free technique;
• bodily liberation (breathing, posture, fluidity of movement);
• development of sound and expression;
• stylistic understanding (from the 17th century to today);
• improvisation, creativity and musicality;
• Solid foundations for beginners, refinement for advanced levels.

⭐ For whom?

The courses are suitable for:
• children from 5 years old (sensory and playful method);
• beginner teenagers and adults;
• Intermediate or advanced musicians wishing to deepen their style, their physical freedom and their interpretation.

Each course is personalized according to the student's level, needs and objectives.
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Music is a powerful way to express yourself. Playing an instrument can be a very intimate experience — a moment to give yourself some time, put your frustrations aside, and simply enjoy making music. But it can also be a fun hobby to share with the people you love: playing for them, singing and dancing together, or simply listening and enjoying the music.

I want to share this gift with my students.

In my lessons, I believe it is important to have goals and, at the same time, to enjoy the journey. I want my students to play music that inspires them and pieces that they genuinely enjoy. Whether you are starting from the beginning, returning to the piano, or looking to develop your playing further, we will work together to find the right balance between learning, improving, and having fun.

For me, playing the piano is not only about learning the right notes. It is about discovering your own voice through music.
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I'm Anna, a cellist with teaching experience. My classes are 100% personalized, tailored to the student's interests (classical, film scores, etc.) and focused on enjoying the instrument from day one.

We will work on memory, cello technique, ear training, musicality and, of course, the correct posture to avoid tension.

Whether you want to start from scratch, improve at your own pace, prepare for conservatory entrance exams, or perfect your technique, these classes are for you!
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FRENCH

I'm ENERVIU, a DJ and music curator based in Brussels. My sound ranges from UK club music like garage, bass, dub, and breaks to house, jazz, and funk selections. I play in various settings, from clubs to private events, and I also share my passion through videos about the history of musical genres.

I offer a four-session introductory course to DJing, tailored to your level and tastes.
My goal: to give you the basics to become independent behind the decks, develop your selection, and build a world that reflects your personality. Each session combines explanations, listening, and practical application.

**Session 1 — Discover DJing and develop your listening skills**

We will explore the role of the DJ and the different facets of their practice: club, radio, bar, or private event. We will discuss musical research, selection, and what gives a set its identity.

Through listening, you will learn to recognize tempo, beats, measures, and musical phrases, as well as identify introductions, breaks, and repeats. These fundamentals will allow you to better understand the energy of a piece and the appropriate moments for a transition.

*Objective: to acquire basic listening skills and begin making a personal selection.*

**Session 2 — Understanding Turntables and the Mixing Console**

We will discover the equipment and its essential controls: playback, cue, jog, tempo adjustment, faders, gain and equalization.

You will learn how to use headphone pre-listening, adjust levels, and synchronize two tracks. We will cover beatmatching, both by ear and with available tools, to help you understand what you are doing and gain confidence.

Objective: to get to grips with the equipment and perform your first sequences.

**Session 3 — Preparing your music with Rekordbox**

We will use Rekordbox to import your tracks, organize your library and create playlists tailored to your mixing preferences.

You will learn to read waveforms, check the tempo and rhythmic grid, and then place useful cues using Memory Cues and Hot Cues. We will cover keys as a selection aid and prepare a USB drive compatible with the equipment used.

Objective: to have an organized and ready-to-play selection.

**Session 4 — Practicing and building your first mix**

We will combine the acquired skills to link several pieces together: tempo matching, alignment of musical phrases and transitions using volumes and equalization.

We'll also work on the progression of the set: creating an atmosphere, choosing the next track, gradually building energy, and letting the music breathe. You'll create a short mix that we'll listen to together to identify your strengths and areas for improvement.

We will conclude with useful tips for a first performance: prepare your music, plan a backup and check the technical conditions of the venue.

Objective: to create a first coherent mix and leave with exercises to continue progressing.

Throughout the journey, we will start with the music you love to refine your listening skills, affirm your choices, and develop the pleasure of sharing it.

**Session 5 — Preparing your first gigs and presenting your DJ project**

We will explore the first steps to playing in public: contacting venues and programmers, sharing a relevant mix and clearly communicating your availability, rates and technical requirements.

We'll cover the essential elements of a short biography, a press kit, and a technical rider. Drawing on my experience in clubs and at private events, we'll see how to adapt your offering to different contexts while staying true to your musical identity.

Finally, we will build a personal action plan: skills to develop further, the next mix to record and venues to target for your first gigs.

*Objective: to understand how bookings work and leave with concrete steps to develop your DJ project.*


ENGLISH

I'm ENERVIU, a DJ and music curator based in Brussels. My musical world spans club sounds UK garage, bass, dub and breaks alongside house, jazz and funk selections. I play in settings ranging from clubs to private events, and I also share my passion through videos exploring the history of music genres.

I offer a **four-session introduction to DJing**, tailored to your level and musical tastes. My goal is to help you feel confident behind the decks, develop your selections and build a musical identity of your own. Each session combines explanations, listening and hands-on practice.

**Session 1 — Discover DJing and develop your listening skills**

We'll explore the role of a DJ across different settings, including clubs, radio, bars and private events. We'll discuss how to discover music, select tracks and give a set its own identity.

Through listening exercises, you'll learn to identify tempo, beats, bars and musical phrases, as well as intros, breakdowns and drops. These foundations will help you understand a track's energy and recognize suitable moments for a transition.

*Goal: develop your listening skills and start putting together a personal selection.*

**Session 2 — Get to know the decks and mix**

We'll explore the equipment and its essential controls: play, cue, jog wheels, tempo adjustment, faders, gain and EQ.

You'll learn how to cue tracks in your headphones, manage audio levels and synchronize two tracks. We'll practice beatmatching by ear and explore the tools available to support it, helping you understand your actions and build confidence.

*Goal: become comfortable with the equipment and make your first transitions.*

**Session 3 — Prepare your music with Rekordbox**

We'll use Rekordbox to import your tracks, organize your library and create playlists that support the sets you want to play.

You'll learn to read waveforms, check tempo and beatgrids, and set useful markers with Memory Cues and Hot Cues. We'll introduce musical keys as a selection tool and prepare a USB drive compatible with the equipment you'll be using.

*Goal: build an organized selection that's ready to play.*

**Session 4 — Practice and build your first mix**

We'll bring everything together to mix several tracks, working on beatmatching, phrase alignment and transitions using volume controls and EQ.

We'll also explore how to shape a set: establish a mood, choose the next track, develop the energy and give the music room to breathe. You'll perform a short mix, which we'll listen back to together to identify your strengths and areas to develop.

We'll finish with practical habits for your first performance: preparing your music, keeping a backup and checking the venue's technical setup.

*Goal: create your first coherent mix and leave with exercises to keep improving.*

Throughout the course, we'll build on the music you love to sharpen your listening skills, develop your own taste and enjoy sharing it with others.

**Session 5 — Prepare for your first gig and present yourself as a DJ**

We'll explore how to take your first steps towards playing in public. You'll learn how to approach venues and promoters, share a relevant demo mix and communicate clearly about your availability, fees and technical needs.

We'll cover the essentials of a short artist bio, a press kit and a technical rider. Drawing on my experience across club and private events, we'll discuss how to adapt your proposal to different settings while staying true to your musical identity.

To finish, we'll put together a personal action plan: what to practice next, which mix to record and how to identify suitable opportunities for your first gigs.

*Goal: understand the booking process and leave with clear next steps to develop your DJ project.*
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