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Since September 2025
Instructor since September 2025
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Guitar, bass, MAO (Ableton Live) and composition lessons – Paris
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From 41.09 £ /h
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Musician and professor graduated from the Conservatory, I offer lessons in guitar, bass, composition and MAO (Ableton Live) for all levels.

I adapt to each student: technical work, accompaniment, improvisation, study of pieces of your choice or musical creation.
Alongside teaching, I am a working artist: I have played with numerous groups in France and abroad, and toured all over the world.

This dual experience (stage and teaching) allows me to transmit both the solid foundations as well as the creativity and reality of the musician's profession.

Methodology :

program adapted to the desires and objectives of each person

work on varied repertoires (pop, rock, jazz, song, electro)

ear development, improvisation and composition

Introduction and advanced training on Ableton Live: recording, arrangement, mixing, production

Free travel in the 18th arrondissement of Paris.
Location
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At teacher's location :
  • Koyaka Market, Rue Myrha, Paris, France
Age
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
60 minutes
The class is taught in
French
English
Availability of a typical week
(GMT -05:00)
New York
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At teacher's location
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
Similar classes
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Raphaël
Welcome :)

If you want to learn the clarinet, you've come to the right place!
I am a professional clarinetist myself, graduated from the Royal College of Music in London (Global No. 1 Institution for Performing Arts).
I am currently pursuing my concert career between Paris and London.

Between us the choice to become a clarinetist is admit the original!
But why this instrument rather than another?

I was hesitant myself when I started. I found the sax.. “cooler”.
But I finally fell in love with the clarinet.
This instrument offers an incredible variety of repertoire!

First of all Classical Music:
The clarinet developed at the same time as Mozart. The composer was immediately seduced by this new instrument with its soft, pearly sound; he fell in love with her and wrote a magnificent concerto for her (one of the most beautiful ;)). Subsequently, composers such as Weber, Schumann and Brahms will deploy all their knowledge and sensitivity to make the clarinet sing.

Jazz:
Since the appearance of this new genre, the clarinet reigns as a diva among instruments. Gershwin dedicated a legendary solo to him in “Rhapsody in Blue”. The instrument shines with this effect of its own: the glissando (sliding from one note to another in a progressive and continuous manner).
Subsequently, clarinetists such as Benny Goodman, Artie Shaw, Buddy de Franco... will forever mark the history of Jazz with their wild solos.

Klezmer:
If you don't know this genre, don't wait. Open Spotify or YouTube and type “Giora Feidmann Let's be Happy”.
Sorry for your neighbors. You won't be able to resist the urge to dance and jump around.
The clarinet, through the variety of sounds it can produce, perfectly imitates the modulations of the human voice: laughter, crying, singing...

How not to fall instantly in love with this instrument which allows such a wide range of expressions?

I have been teaching for 6 years now and enjoy sharing my passion for music on stage as much as in a more intimate setting during a private lesson.
I had the opportunity to refine my pedagogy throughout my various experiences in teaching and find simple and effective methods to allow the student to progress quickly.

My career as a classical conservatory musician and Jazz/Klezmer concert performer gives me the opportunity to offer a varied education.

I guarantee that in a month you will already be performing your first track in front of your awe-inspiring family!

I offer private lessons of Clarinet and or Solfège for children, adults, all ages from beginner to intermediate / advanced level (1st cycle / CEM / Specialized cycle).

My teaching is based on a personalized musical follow-up: Discovery - Methodical learning - Initiation to improvisation, Jazz or Klezmer - Perfection

-THE PLEASURE OF PLAYING-
Music is a game.
Despite the difficulties that the student may encounter in his progress, it is very important never to lose this fundamental dimension.
Mozart was also of a very mischievous nature and it was said of him that he was an eternal child!

My goal as a teacher is above all to transmit a passion for music. Learning an instrument can be long and tedious and the approach of some conservatory teachers is sometimes abrupt and academic. For my part, I favor a playful teaching adapting to the capacities of each one.

My experience as a concert performer in the Jazz/Klezmer group Kanaï Trio, of which I am the founding member, offers me the possibility of extending my teaching to improvisation and to different musical styles (Jazz, Traditional Yiddish/Klezmer Music, Eastern Europe, the Balkans).

My classical music studies at the Conservatoire Régional de Paris allowed me to develop my instrumental technique but also my knowledge of musical analysis, music theory, singing and music history. I consider these theoretical fundamentals essential to the study of an instrument. The student must above all understand the music before being able to flourish in the interpretation of the piece.

One of the common difficulties for beginners or intermediate students is not being able to manage the air well, running out of steam quickly and thus losing the pleasure of performing an entire piece. In reality, the clarinet does not require the endurance of a marathon runner, but just an appropriate breathing technique: I have therefore developed a method based on breathing exercises, the search for good posture (specific to each pupil) and physical relaxation (with the elimination of tensions and parasitic gestures). The student will also have simple and effective technical tools to quickly overcome difficulties (placement of the mouthpiece, precise positioning of the fingers, etc.).

See you soon ! :)

PS. :
-Possibility of traveling to your home (modular increase depending on travel time)
LEZIONI IN ITALIANO REED POSSIBILI.
verified badge
Camille
My methodology

Thanks to my many teachers, I have developed a pedagogy based on control and ease, instrument and breath, which is very good for people with asthma or breathing problems. And thanks to my atypical and eclectic course I try to adapt myself better to the expectations of my students. The goal is to achieve a smooth and flexible precision, setting goals for all levels and for all styles: classical, jazz, variety, funk, carnival, free ...
For beginners, I give introductory lessons to music through piano, guitar, small percussion and singing.

I teach for over 10 years and I practice trombone in various orchestras and groups (symphonic, jazz, electro, reggae, ska, rock, funk, pop, French song, carnival, zouk, compass, biguine)

My musical background

After having started the classical trombone at the age of 8 at the conservatory of the center of Paris and at the conservatory Hector Berlioz (Xeme) with Jean Rafard as teacher, Philippe Defurne I studied jazz and improvisation at the Xeme conservatory with Pascal Gaubert and Daniel Casimir as well as with Glenn Ferris at the Master Class at the CRR in Paris.

Obtaining the first prize of the CRR of Paris in the class of Jacques Mauger and the CFEM of Musical Training in the classes of JP Despax and M Labrousse.
I also studied ancient music (saqueboute) with JJ Herbin and musical writing in the class of JM Bardez.

All styles of music attract me, so I am trombonist and arranger for very eclectic bands ranging from rock, gypsy jazz through funk, carnival music or French song. (EXILE ONE, IGIT, Antoine Herve, Blitz the Ambassador, FFF, Gwada Circus, JP Marthely (Kassav), Richard Birman, Chiktaye, Kreyol Star, Gimbo all stars, Laurie Darmon, Panoramic Project, In the Canopy, Mrs Good, Lylas Concept, Mysticism, Sonke, Lyrocati, Jassandbazz, Arnold, the Mandingue Zebras, Ras Smaila ...)
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Similar classes
arrow icon previousarrow icon next
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Raphaël
Welcome :)

If you want to learn the clarinet, you've come to the right place!
I am a professional clarinetist myself, graduated from the Royal College of Music in London (Global No. 1 Institution for Performing Arts).
I am currently pursuing my concert career between Paris and London.

Between us the choice to become a clarinetist is admit the original!
But why this instrument rather than another?

I was hesitant myself when I started. I found the sax.. “cooler”.
But I finally fell in love with the clarinet.
This instrument offers an incredible variety of repertoire!

First of all Classical Music:
The clarinet developed at the same time as Mozart. The composer was immediately seduced by this new instrument with its soft, pearly sound; he fell in love with her and wrote a magnificent concerto for her (one of the most beautiful ;)). Subsequently, composers such as Weber, Schumann and Brahms will deploy all their knowledge and sensitivity to make the clarinet sing.

Jazz:
Since the appearance of this new genre, the clarinet reigns as a diva among instruments. Gershwin dedicated a legendary solo to him in “Rhapsody in Blue”. The instrument shines with this effect of its own: the glissando (sliding from one note to another in a progressive and continuous manner).
Subsequently, clarinetists such as Benny Goodman, Artie Shaw, Buddy de Franco... will forever mark the history of Jazz with their wild solos.

Klezmer:
If you don't know this genre, don't wait. Open Spotify or YouTube and type “Giora Feidmann Let's be Happy”.
Sorry for your neighbors. You won't be able to resist the urge to dance and jump around.
The clarinet, through the variety of sounds it can produce, perfectly imitates the modulations of the human voice: laughter, crying, singing...

How not to fall instantly in love with this instrument which allows such a wide range of expressions?

I have been teaching for 6 years now and enjoy sharing my passion for music on stage as much as in a more intimate setting during a private lesson.
I had the opportunity to refine my pedagogy throughout my various experiences in teaching and find simple and effective methods to allow the student to progress quickly.

My career as a classical conservatory musician and Jazz/Klezmer concert performer gives me the opportunity to offer a varied education.

I guarantee that in a month you will already be performing your first track in front of your awe-inspiring family!

I offer private lessons of Clarinet and or Solfège for children, adults, all ages from beginner to intermediate / advanced level (1st cycle / CEM / Specialized cycle).

My teaching is based on a personalized musical follow-up: Discovery - Methodical learning - Initiation to improvisation, Jazz or Klezmer - Perfection

-THE PLEASURE OF PLAYING-
Music is a game.
Despite the difficulties that the student may encounter in his progress, it is very important never to lose this fundamental dimension.
Mozart was also of a very mischievous nature and it was said of him that he was an eternal child!

My goal as a teacher is above all to transmit a passion for music. Learning an instrument can be long and tedious and the approach of some conservatory teachers is sometimes abrupt and academic. For my part, I favor a playful teaching adapting to the capacities of each one.

My experience as a concert performer in the Jazz/Klezmer group Kanaï Trio, of which I am the founding member, offers me the possibility of extending my teaching to improvisation and to different musical styles (Jazz, Traditional Yiddish/Klezmer Music, Eastern Europe, the Balkans).

My classical music studies at the Conservatoire Régional de Paris allowed me to develop my instrumental technique but also my knowledge of musical analysis, music theory, singing and music history. I consider these theoretical fundamentals essential to the study of an instrument. The student must above all understand the music before being able to flourish in the interpretation of the piece.

One of the common difficulties for beginners or intermediate students is not being able to manage the air well, running out of steam quickly and thus losing the pleasure of performing an entire piece. In reality, the clarinet does not require the endurance of a marathon runner, but just an appropriate breathing technique: I have therefore developed a method based on breathing exercises, the search for good posture (specific to each pupil) and physical relaxation (with the elimination of tensions and parasitic gestures). The student will also have simple and effective technical tools to quickly overcome difficulties (placement of the mouthpiece, precise positioning of the fingers, etc.).

See you soon ! :)

PS. :
-Possibility of traveling to your home (modular increase depending on travel time)
LEZIONI IN ITALIANO REED POSSIBILI.
verified badge
Camille
My methodology

Thanks to my many teachers, I have developed a pedagogy based on control and ease, instrument and breath, which is very good for people with asthma or breathing problems. And thanks to my atypical and eclectic course I try to adapt myself better to the expectations of my students. The goal is to achieve a smooth and flexible precision, setting goals for all levels and for all styles: classical, jazz, variety, funk, carnival, free ...
For beginners, I give introductory lessons to music through piano, guitar, small percussion and singing.

I teach for over 10 years and I practice trombone in various orchestras and groups (symphonic, jazz, electro, reggae, ska, rock, funk, pop, French song, carnival, zouk, compass, biguine)

My musical background

After having started the classical trombone at the age of 8 at the conservatory of the center of Paris and at the conservatory Hector Berlioz (Xeme) with Jean Rafard as teacher, Philippe Defurne I studied jazz and improvisation at the Xeme conservatory with Pascal Gaubert and Daniel Casimir as well as with Glenn Ferris at the Master Class at the CRR in Paris.

Obtaining the first prize of the CRR of Paris in the class of Jacques Mauger and the CFEM of Musical Training in the classes of JP Despax and M Labrousse.
I also studied ancient music (saqueboute) with JJ Herbin and musical writing in the class of JM Bardez.

All styles of music attract me, so I am trombonist and arranger for very eclectic bands ranging from rock, gypsy jazz through funk, carnival music or French song. (EXILE ONE, IGIT, Antoine Herve, Blitz the Ambassador, FFF, Gwada Circus, JP Marthely (Kassav), Richard Birman, Chiktaye, Kreyol Star, Gimbo all stars, Laurie Darmon, Panoramic Project, In the Canopy, Mrs Good, Lylas Concept, Mysticism, Sonke, Lyrocati, Jassandbazz, Arnold, the Mandingue Zebras, Ras Smaila ...)
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