Singing: Interpretation, repertoire and vocal technique - Paris

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Singing: Interpretation, repertoire and vocal technique

From 33.94 £ /h

I give singing lessons and I teach:
- the vocal technique
- jazz improvisation
- the jazz, lyric, variety, pop etc repertoire ...

In my class, I rely on the vocal technique of the old Italian school. That is to say .... I do not push your voice to do anything else. I remove bad habits, I ban your involuntary effects that you do not control ...

The goal is to make you discover your natural tone, thanks to my vocal technique acquired with Thalia Carouza, director of the school of the natural voice and professional lyric singer.

For more information, do not hesitate to ask me your questions!

Location

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At student's location :

Around Paris, France

At teacher's location :

Rue Vincent Compoint, Paris, France

About Me

I want to share what I've had the chance to learn, and I'm very open to new things that teaching allows me to discover. My classes are adapted to the personality of the students, with a pedagogy based on the dynamism, the joy, the discovery and the natural work of the voice.

Education

I started lyrical vocal technique at the age of 11 in a Catholic choir at Sainte Anne d'Auray. In parallel I took private lessons with Thalia Carouza who taught me the art of mastering her voice NATURALLY.

Experience / Qualifications

I spent my Bac TMD (Technique of Music and Dance) option current music (rock, pop, funk, Afro-Cuban ...) at the Conservatory of Brest.
I did 2 years of professional studies at the American School of Modern Music to meet today at the IMEP Paris College of Music.

Age

Preschool children (4-6 years old)

Children (7-12 years old)

Teenagers (13-17 years old)

Adults (18-64 years old)

Seniors (65+ years old)

Student level

Beginner

Intermediate

Advanced

Duration

45 minutes

60 minutes

The class is taught in

French

English

Skills

Singing

Opera

Jazz music

Availability of a typical week

(GMT -05:00)

New York

At teacher's location

At student's home

Mon

Tue

Wed

Thu

Fri

Sat

Sun

00-04

04-08

08-12

12-16

16-20

20-24

Emmanuelle

5.0

(2)

I am a professional lyric soprano graduated from the CNSM of Lyon.
I participate in productions with the Concert d'Astrée, the Choir of Namur, Accentus, the Opéra National de Lorraine, Choir de la Chapelle Harmonique. I am also on the lists of the Montpellier Opera, Concert Spirituel, Ensemble Correspondances and Radio France choir.
I have just finished a production of Haydn's Die Schöpfung at the Opéra National de Lorraine last January-February, conducted by Marta Gardolinska (Guillaume Fauchère choir director), directed by Kevin Barz.

I sang solo and in chorus the role of the Trojan woman in Campra's Idomenée in 2021 at the Lille Opera and the Berlin Staatsoper, staging of the fura dels baus,
I also sang the solo of Campra's Requiem at the philharmonies of Luxembourg, Lille, Essen Cologne and Berlin with the Concert d'Astrée in 2019 directed by Emmanuelle Haïm.

In 2019, I participated in the production of Les Indes Galantes by Rameau with the Namur Choir at the Opera Bastille, directed by Leonardo Garcia Alarcon and directed by Clement Cogitore. In 2022, I participated in numerous productions, notably with the Accentus choir in Beethoven's 9th symphony, the missa solemnis or even a polyphonic baroque project.
In 2022 I participated in the production of Hulda by Cesar Franck with the Namur Choir at the Grand Manège de Namur, the Liège Philharmonic and the Théatre des Champs Elysées.

My background as well as my skills in lyrical singing allow me to master my instrument well. I am a very curious and very patient person, and I like to find solutions to problems. Transmitting my passion to students wishing to discover or develop their voices, discover their artistic personality would be a great pleasure for me. If I can transmit this joy that I have from singing as well as my acquired knowledge, it would be a great exploration for them as for me.

Camille

5.0

(2)

Our teacher using, if necessary, an electro-acoustic guitar to better accompany your voice and guide some of its subtleties, the teaching philosophy is adapted to each level, according to the pace of work and motivation.

Program :
- musical techniques: theory (examples: support, modes, colors, effects such as vibrato, etc.) automatically followed, for each of the exercises, by practice (examples: exercises focusing on accuracy, sound production, "mountains Russian ", time, note hold, diction, vowels etc.)
- work on breathing and breathing management
- body awareness
- stability
- resonance
- improvisation / free expression
- improved vocal comfort
- varied repertoire (adapting to your preference)
- well-being by the vibration of the voice
- personal or artistic development - accuracy, note keeping and precision - vocal modes including timbre
- volumes: softness and power - sound colors: from dark to light - vocal effects, range requirements - nuances: volumes, mimics, attitudes, sound quality - exploration of musical styles (folk, pop, classical, blues, rock, song, World music ...)
- improvisation, effects and vocal games, harmonies
-interpretation: work on emotions, body language, stage presence.

Objective: acquire a solid vocal technique allowing you to sing with accuracy, ease and expressiveness.

Musical learning meanwhile, will develop your ability to listen and reproduce music, your sense of rhythm, your expressiveness, your creativity and musicality as well as reading sheet music.

The work is focused on multidisciplinarity: voice, vocal health, music and bodily expressiveness, with an emphasis on the acquisition of an optimal vocal placement, on stress management in public and on interpretation.

This progressive and tailor-made method aims to develop your voice:
-Breathing techniques
-Vocalises and technical exercises adapted to needs;
- Repertoire work
- Accompaniment for studio recording and scenic performance
-dynamic exploration, diversification and release of one's voice while having fun and going beyond one's limits.

As other people do regularly, you can also please your loved ones by offering gift vouchers, available all year round.

TEACHER / TRAINER

Trained in Grandes Ecoles in France and the United States (Ivy League University), our teacher has specialized and has been working for more than 15 years, in North America and Europe, in the field, in international establishments renowned, and oriented on one axis: effective training with pedagogy and meticulous methodology as the watchwords.

PLACES, FEES
- Locations: Geneva-Lausanne-Friborg-Neuchâtel-Montreux-Bâle-Sion-Sierre-Morges-Bienne. But currently, only by videoconference in accordance with national recommendations on Covid. These sessions also seem to be perfectly unanimous since they have the advantages of direct (example: quality of the interaction), without its disadvantages (ex: loss of travel time), with additional advantages (ex: of notes on the chat, which can be reread afterwards). In this context, these videoconference sessions for which you have requested me, seem to arouse a certain enthusiasm (and a certain enthusiasm). At your request, I therefore continue to offer them.

Mia

5.0

(2)

My teacher's credo

As an opera singer, I have had the opportunity to perform on international stages while continuing to teach, which is a true vocation for me.

In vocal pedagogy, I believe that each student is the bearer of a unique instrument: their voice. This is why it is essential to adapt teaching and methodological tools to the individuality of each student. This approach allows me to conduct my classes in a variety of ways, choosing the most relevant vocal exercises or repertoire pieces to reveal the individual potential of each voice.

My technique is based on:

* in-depth breathing exercises,
* awareness of the whole body as an instrument,
* understanding the biological principles of breathing and its artistic role,
* the development of a free and resonant vocal emission.

My main objectives are to:

* maintain a feeling of high vocal position, awareness of resonant cavities in singing,
* work on the purity and continuity of vowels (legato), work on diction (Italian, German, French, etc.)
* gradually develop the tessitura,
* harmonize and balance the different vocal registers.

Finally, I place great importance on the student's personal development. Building a voice also means supporting an artistic personality: this involves guiding each student toward a repertoire adapted to their stage of vocal development, while nurturing their sensitivity and self-confidence.

Katherine

5.0

(2)

[Please note that lessons are only available for serious students looking to be a professional musician or artist]

Katherine has been vocally trained in contemporary for 25 years and studied classical voice for three years. After developing Muscular Tension Dysphonia in 2010 and not singing for almost two years, she overcame this vocal disorder after working with some of the best voice and voice rehabilitation specialists in the UK. This experience further motivated her interest in teaching the following to her students in contemporary voice* using knowledge and training gained by renowned vocal coaches, ENTs and voice rehabilitation specialists:

- Vocal technique, health and hygiene
- Guidance in voice rehabilitation with students experiencing or recovering from vocal issues
- Managing Performance Anxiety
- Breath control
- Microphone technique and stage performance
- Basic music theory
- Artist development and mentoring

Katherine has over 15 years experience in one-to-one lessons, teaching students aged 4 years old to 50 years old of all levels and has developed programs for small choirs. Please be advised students under the age of 9 years old will be offered 30 min lessons only and will comprise of a combination of music and singing-related games and exercises.

Also offering:
- Live performance workshops

*Contemporary music styles like R&B, soul, neosoul, pop, country. She does not teach classical or jazz.
**Please note, 30 min lessons are only for students aged 10 and under. Adult students will be required to book one-hour lesson times to ensure they get the most out of their lessons and therefore their money's worth. Requests for 30 min lessons from adults will be declined and asked to book a one hour lesson.

Matéo

5.0

(2)

Hello, welcome to my ad!

My name is Matéo and I am 26 years old. I have been playing guitar for 9 years and teaching it for 5 years. After studying at the conservatory and music school, I obtained my Diploma of Musical Studies (DEM) specializing in jazz guitar. Over the years, I have been able to accompany around forty students, both in private lessons, group lessons and at the conservatory where I teach today.

OPTION1) The course I offer is aimed at beginner to intermediate level guitarists, of all ages (children too!), in acoustic and electric guitar.
My goal is to give you the essential basics of the instrument (body position, technique, chords) as well as an understanding of fundamental musical concepts (rhythm, ear, reading tablature and/or music theory) which will be very useful to you as a musician.
We will base our learning as quickly as possible on real pieces of music, if possible suggested by the student because I think that learning by playing the music you like is the most motivating method.
As a teacher, I have always adapted as best I could to each profile to make them learn in the way that suited them best, make them play the music they like, help them with their difficulties and push them to surpass themselves in their abilities.
Finally, I always make sure that the lessons take place in a calm and pleasant atmosphere so that the student progresses at their own pace and learns while having fun.

OPTION 2) This course is for intermediate to advanced guitarists (and musicians in general) who want to acquire a deeper understanding of music theory. What we can cover, depending on your needs: analysis, harmony, composition, transcription, improvisation, music theory, ...

Lessons can take place at my home, in the 15th arrondissement, or at the student's home where I can travel (for an extra) within a reasonable radius.

Declared via CESU (Universal Employment Service Check) or self-employed invoice.

Maarten

5.0

(2)

Maarten will teach you about general music theory and analysis from beginner to advanced level. He is experienced to teach highest level classical musicians and Jazz musicians too. He can work with you about the harmony and analysis of compositions on practical ways affected to your own performance as well. so not only on the desk, but on the instrument in order to improve your knowledge and performance level.
He has many knowledge of all kinds of music analysis and compositions, the lessons can be mix with online and class room.

Thomas

5.0

(2)

I teach lyrical singing during a lesson which is broken down into two sequences: first work on pure technique, based on muscular coordination with breath, breathing and posture. Then, depending on the student's level, interpretation work on one or more pieces, putting the technique into practice, to which we add actual musical work.

Daniel

5.0

(2)

My classes consist of: --Improving Singing English for all musical styles. --Focus on proper placement of vowels and consonants for Singing English. --Vocal technique. --Professional practice/Amateur practice/Audition preparation --Interpretation coaching --Prosody (natural rhythm, stress patterns, intonation) of Singing English About me: --Vocal coach and musical director with several years of professional experience in the United States in the musical theater field. --Born and raised in the United States, native speaker of American English. --Fluent in French. --Holder of a degree in linguistics, my teaching method is based on this expertise. --Holder of a degree in piano, with 12 years of experience as a professional musician.

Daniel is a music director and pianist with a unique and varied musical background. In high school, Daniel began his professional career accompanying musical theatre productions, before working as a répétiteur for the Seattle Opera Company’s Young Artists Programs. In 2013, Daniel moved to Montreal to study piano at the Schulich School of Music. Over the next six years, he was very active as an accompanist and music director for several musical theatre productions, a jazz pianist for many bands in the city, a composer and leader of his contemporary jazz trio, which won 3rd place at the 2017 Conad International Jazz Competition, and the co-founder and music director of an independent contemporary opera company. As a ballet pianist, Daniel trained at the École Supérieure de Ballet du Québec and has since worked with Pacific Northwest Ballet, Northern Ballet, and the Australian Ballet. Since returning to Seattle in 2020, he has worked with The 5th Avenue Theatre, one of the most prestigious musical theatres in the United States, as a pianist, music director and vocal coach. Recently relocated to Paris, he currently holds a position as pianist at the Paris Opera Ballet.

Levy

5.0

(2)

My singing lessons are fully personalized based on your level and musical needs. We will work on various techniques to improve your vocal control and develop your potential.

Course of the sessions:

• Short body warm-up

• Vocal exercises to warm up the voice and work on technique, with emphasis on:

- breathing and breath control
- the development of the larynx
- relaxation of the jaw and resonator muscles
- projection / power techniques
- accuracy

• Repertoire adapted and specialized to your voice type and your vocal evolution, in order to fully express your musicality and artistic personality. Each course will be adapted to your progress, in a caring and motivating atmosphere, to sing with more ease, confidence and pleasure. Let's discover the world of your voice together!

Romain

5.0

(2)

I'm Romain, a university student and passionate pianist for about ten years. After a classical education at the conservatory, I developed a more intuitive approach: playing by ear, personal arrangements, simplified theory, and above all... fun from the very first lessons.

A teaching method designed to help you learn the piano in a less conventional way. Want to learn to play the music you love, without the hassle? Movies, anime, video games, jazz, improvisation, pop, accompaniment... I'll teach you to play freely and at your own pace, even without music theory.

Tom

5.0

(2)

As a singer myself for around ten years, I am learning to sing healthily and quickly, without forcing, with a modern and caring method.

My teaching method is based on the body, breathing and voice placement to create a clear, stable and comfortable sound.
We work on accuracy, rhythm, diction and interpretation directly on your songs.

Typical course outline (60 min):
→ 15' guided warm-up: body, breathing, vocal warm-up)
→ 20' vocal exercises: placement, resonances, vowels
→ 20' work on phrases on your piece: interpretation
→ 5' homework plan (1 exercise + 1 measurable objective).
Before/after recordings allow you to see progress.

My specialties: active songwriter and artist, clear and structured approach, 4 to 8 week goals, concise written follow-up after each session, demanding but caring atmosphere. I prioritize vocal health and realistic progression: positioning the voice, gaining in pitch, lengthening the breath, daring to interpret.

Who is it for? Beginners (including shy people), teens and adults, pop/variety/soul/folk styles.

Classes in Paris or online. Ideal for learning to sing in tune to your favorite songs, preparing for a stage/open mic, or simply gaining confidence, quickly and sustainably.

Zacky

5.0

(2)

As a musicology student at the Sorbonne and a passionate trumpet player, I offer trumpet lessons tailored to all levels. We will work on technique, improvisation, and style (classical, jazz, or world music) according to your preferences and progress.

Javier

5.0

(2)

My lessons are personalized and dynamic. They combine instrumental technique with ear training, applied theory, and repertoire that most motivates the student. My goal is to train not only competent bass players, but well-rounded musicians who understand their role within a band and develop their own artistic voice.

🎯 MAIN OBJECTIVES
• Mastering right-hand and left-hand techniques (fingerstyle, slap, tapping, etc.).
• Develop an active musical ear and improvisation skills.
• Understand the role of the bass in different musical styles and contexts.
• Acquire tools to play with ease in ensembles and recording sessions.
• Stimulate creativity and personal expression through the instrument.

📦 INCLUDED MATERIALS
• 📖 PDFs with progressive technical exercises, from beginner to advanced level.
• 🎧 Audio files (play-alongs) for practicing in a real context.
• 🎼 Customizable repertoire: pieces chosen by the student, adapted to their level.
• 📚 Modules of harmony and theory applied to bass.
• 🎶 Improvisation material: scales, rhythmic patterns and stylistic language.

🔄 METHOD STRUCTURE
1. Initial assessment: diagnosis of musical level and interests.
2. Personalized plan: selection of the directory and definition of short/medium term objectives.
3. Dynamic lessons: combination of technique, repertoire, ear training and improvisation.
4. Continuous monitoring: progress recordings, personalized feedback and adjustments.

🎸 CONTENT BY LEVEL
• Beginner: posture, chords, basic grooves, rhythmic reading, simple pieces.
• Intermediate: slap technique, major and minor scales, walking bass, intermediate level repertoire.
• Advanced: extensive techniques, modern harmony, free improvisation, complex repertoire.

👨‍🏫 PEDAGOGICAL APPROACH
• A flexible method that adapts to the student's tastes and objectives.
• Contextual practice: all exercises applied in real musical situations.
• Emphasis on musicality, not just technique.
• Use of technology to optimize learning (apps, audio, video).

Sabrina

5.0

(2)

A teaching method that is both demanding and supportive, where vocal technique is at the service of music and interpretation.
Pleasure is paramount.
Singing is the reflection of the soul.
The course is tailored to the singer's request and needs.

Loris

5.0

(2)

My name is Loris, I'm 22 years old, and I'm a student at the Paris Conservatory (CNSMDP) in the jazz department. I've been playing saxophone since I was 14 and previously studied in Germany, where I'm from. Since I started playing, I've performed in various big bands and solo projects, such as the South German Youth Jazz Orchestra. For my own projects, I've toured throughout Germany, France, and the Netherlands. I also taught for a long time in Germany at a music school, where I had students ranging from 11 to 65 years old, and I thoroughly enjoyed teaching all levels and musical styles! Having gained considerable experience, I know what's important for each student and how to best achieve their goals and, above all, make learning enjoyable! I specialize in jazz, but I'm open to anything!

See you soon, I hope.
Loris!