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SOFTWARE AND HARDWARE REQUIREMENTS Logic Pro 10 or 11: Overview, Highlights, Innovations, and Misconceptions Connecting and configuring your devices Choice of equipment according to your budget and your needs Configuring and optimizing your Home Studio Software Preferences and Settings Downloading and managing sound libraries PROJECT MANAGEMENT IN LOGIC PRO Creating and configuring a new project Managing Logic Pro Modes (Simplified or Expert) Preferences and settings for the software and your projects Tempo, metronome, count-in, time signature and key configuration Instant backup, folder, package THE LOGIC PRO INTERFACE The different windows Main and secondary tools, Zooms, keyboard shortcuts Console Strip, Track, Region Inspectors, Using Help The library, patches, modules (plug-ins), sounds Logic Pro browsers (Apple loops, lists, etc.) MIDI, Audio Editors and Session Player The mixing table Command and display bar, the toolbar MIDI IN LOGIC PRO Instrument Track: Creating, Customizing the Track MIDI Recording Setting the metronome, count-in and latency Choose an instrument, a sound, a patch Recording modes: Live, step, folder, autopunch Editing: Tools, Piano Roll, Score Editor and Step Editor Quantization, resizing, velocity, legato, expression, modulation MIDI automation THE LOGIC PRO SESSION PLAYER The Session Player; Logic Pro's virtual instrumentalists Acoustic Drummer: Choosing a drummer, modifying elements, editing the game, swinging and humanizing Bass and Keyboard Player: Choosing a Sound, Articulations, Playing Mode and Variations Structure ULTRABEAT Ultrabeat interface, sounds and styles of the 100 drum kits Beat-Making: Internal sequencer, full view mode and pattern mode Accent, Velocity, Gate and Swing parameters Introduction to Step Sequencer associated with Ultrabeat, Pattern Regions THE APPLE LOOPS Loop Types: Audio, MIDI, Patterns and Session Player Organization, filters and search by instrument, styles and sound Browser, tempo, length, keys, modifications Creating, saving and archiving personal Apple Loops Building an arrangement with Apple Loops DIGITAL AUDIO RECORDING Recording: pre-amp, AD/DA conversion, latency, buffer and monitoring Project Settings: Sample Rate and Bit Depth Track-by-track recording and multi-track recording Managing Autopunch and Replace modes Take files and alternate tracks Cycle Mode EXPLORING KONTAKT Kontakt is your gateway to an unparalleled treasure trove of virtual instruments. More than a sampler, Kontakt has powered two decades of blockbuster film scores and chart-topping hits, along with thousands of incredible instruments. AUDIO EDITING IN LOGIC PRO Take comping: audio editing and export Editing tools: Selector, resizing, fade, crop... Using Flex for Timestretch/Warp Audio quantization and transient management Flex Pitch: Correcting pitch and creating harmonies Insert silences CONFIGURING GLOBAL TRACKS IN LOGIC PRO Layout: Structure of the arrangement Markers: Landmarks and navigation Alteration: General tonality and time signature Tempo: Tempo changes in global tracks or the list editor Chord tracks associated with Player Bass and Piano sessions THE LOGIC PRO MIXING DESK The different console slices Track header components, mute, solo listens (tracks/region) Panoramic management Organize Track Stacks, Groups, VCAs Bus and auxiliary management for routing Insert and/or auxiliary processing and effects AUTOMATION General techniques for adding dynamics to your mixes Recording automations: Read, touch, latch and write Track/Region Automation and Automation Editing Assigning Controllers to Automation Parameters SHARING AND EXPORTING A PROJECT Backup: folder or package, archiving, backup, Time Machine Normalization and pre-mastering Export to the correct format depending on the final media

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From warming up to carrying the voice, solo or polyphonic: introduction to singing for beginners wishing to learn and discover music. Depending on your wishes, I will suggest simple songs to work on together, and your learning will be guided by your questions, your interests in music, our discussions... If you've always wanted to sing but never dared to go further, now is the time to start! 🎤 After 10 years of piano, 5 years of choral singing and some notions of guitar and violin, I have learned a lot in theory and musical practice. So I feel ready to share my learnings for beginners, without pressure, to discover the wonderful world of notes and harmonies 🎶

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3Students

I am an Italian soprano, graduated from the Dutch National Opera Academy. I work as a soloist as a freelance singer, and I teach singing to students of different levels and ages for many years. The most important thing during my lessons is to help the student find a healthy and comfortable way of singing! During the first part of the lesson, we will focus on Technique and breathing, while during the second part of the lesson we will focus on the repertoire chosen together with the student, applying the aspect of the technique that we worked on previously in the lesson.

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1Students

Hello! I am a professional opera singer, soprano, and current soloist at the Cologne Opera (Oper Köln, Germany), with stage experience at major European houses including Deutsche Oper am Rhein, Musiktheater Pforzheim, and Dutch Touring Opera. I bring extensive real-stage experience, performance psychology, and high-level technical discipline into every lesson. My background includes a Master of Music in Opera from the Dutch National Opera Academy in Amsterdam, a Master of Music in Vocal Performance (Distinction) from the Royal College of Music in London, and a Bachelor of Music in Vocal Pedagogy from the Moscow University of the Humanities. The combination of elite performance training and 8 years of teaching experience allow me to train my students at the highest standard and achieve measurable progress and great results. I work with dedicated singers at every stage of development, from complete beginners to professionals. I can successfully prepare you for auditions and exams, build a reliable vocal technique and stamina, expand range and develop musicality and understanding of various repertoire demands. Together we can work on diverse repertoire - from opera and oratorio arias to Lieder and music theater depending on your needs and preferences. If you're serious about developing your voice with professional-level guidance - I am very excited to see you in my class!

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4Students

My name is Denise and I am a professional singer and vocal coach with a Master’s degree in Historical Singing, Musicology and Music Education from the Escola Superior de Música de Catalunya (ESMUC). I have over 10 years of teaching experience in Europe and Latin America, working with students from diverse cultural and musical backgrounds in private lessons, artistic projects, and educational contexts. My artistic work includes early music and chamber repertoire, as well as Latin American folk, jazz, and contemporary crossover styles. This diversity strongly informs my teaching approach, which is flexible, stylistically open, and based on healthy vocal function.

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1Students

Hii, I’m a professional vocal coach specializing in Western Music Voice, Pop, Jazz singing with some Classical Voice and Voice Therapy which will improves Vocal cords and singing voice. Have a strong background in vocal training, I bring professional expertise and a love for Western music to each of my lessons. I focus on building a strong foundation in the essential techniques of Western music, helping students develop breath control, pitch accuracy, and voice modulation—all essential elements that also enhance Western Music, Pop, Jazz Singing. In my classes, students can expect a mix of traditional and modern teaching methods. I incorporate voice exercises, rhythmic drills, and taal practice to strengthen your musical skills, whether you're just starting or looking to refine your style. I also enjoy making the lessons interactive and fun, using familiar Western Music, Pop and Jazz songs to illustrate classical techniques, so students can relate the skills they’re learning to their favorite music. Each lesson is tailored to fit the student’s unique goals, whether you aim to perform, deepen your musical knowledge, or simply enjoy singing with confidence. My approach is relaxed and encouraging, creating a supportive environment where students feel comfortable their vocal journey. I’m here to help you find your voice—let’s make some music together!