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🎶 Singing lessons with a mezzo-soprano - Master's degree graduate from the Royal Conservatory of Brussels
From 41 £ /h
I offer private lessons in opera singing and vocal coaching, tailored to your level, needs, and desires. 🎶
As a mezzo-soprano opera singer, I graduated with a Master's degree in opera singing from the Royal Conservatory of Brussels. I also completed a year of training at the Conservatorio Santa Cecilia in Rome, where I deepened my vocal technique in Italian bel canto.
My method is based on the techniques of operatic art, enriched by my years of training in Belgium and Italy as well as by my professional experience.
🎤 For all levels and all voices
My courses are suitable for both beginners and experienced singers, in operatic singing as well as other styles: pop, variety, jazz, rock or spoken voice.
Whether you wish to discover your voice, progress technically, gain confidence, prepare for an audition, an exam or simply enjoy singing, I offer personalized support according to your objectives.
🌿 A free voice begins with a relaxed body
I pay particular attention to physical relaxation, breathing, and the prevention of vocal tension. My work with speech therapists specializing in voice has allowed me to deepen my understanding of the link between the body and the voice.
I also completed training in polyvagal theory, which enriched my understanding of the links between breath, bodily sensations, and voice. Breathing, relaxation, and vibration exercises can therefore be integrated into the course to prepare the body and promote freer vocal expression.
🎶 Develop a natural and projected voice
The goal is to find a natural projection of the voice, without forcing or creating unnecessary tension, by progressively working on the coordination between breathing, body and vocal production.
Depending on your needs, we can work:
- breathing and support
- posture and body relaxation
- vocal technique and placement
- voice projection
- diction and articulation
- musicality and repertoire
- Body expression and interpretation
- preparation for auditions, exams and concerts
🎭 Theatre in service of the voice
Alongside my musical training, I also have a background in theatre, particularly in the Stanislavski method. This approach allows me to explore voice and interpretation through the body, sensations, images, and intentions.
These tools can be particularly useful for developing a freer, more expressive and personal voice, both in singing and speaking.
✨ My goal: to help you discover your vocal potential and find your own voice, through work that is technical, physical and artistic.
Beginner, amateur, opera singer or simply curious to explore your voice: you are welcome!
Feel free to contact me to discuss your goals and schedule your first lesson. 🎶
As a mezzo-soprano opera singer, I graduated with a Master's degree in opera singing from the Royal Conservatory of Brussels. I also completed a year of training at the Conservatorio Santa Cecilia in Rome, where I deepened my vocal technique in Italian bel canto.
My method is based on the techniques of operatic art, enriched by my years of training in Belgium and Italy as well as by my professional experience.
🎤 For all levels and all voices
My courses are suitable for both beginners and experienced singers, in operatic singing as well as other styles: pop, variety, jazz, rock or spoken voice.
Whether you wish to discover your voice, progress technically, gain confidence, prepare for an audition, an exam or simply enjoy singing, I offer personalized support according to your objectives.
🌿 A free voice begins with a relaxed body
I pay particular attention to physical relaxation, breathing, and the prevention of vocal tension. My work with speech therapists specializing in voice has allowed me to deepen my understanding of the link between the body and the voice.
I also completed training in polyvagal theory, which enriched my understanding of the links between breath, bodily sensations, and voice. Breathing, relaxation, and vibration exercises can therefore be integrated into the course to prepare the body and promote freer vocal expression.
🎶 Develop a natural and projected voice
The goal is to find a natural projection of the voice, without forcing or creating unnecessary tension, by progressively working on the coordination between breathing, body and vocal production.
Depending on your needs, we can work:
- breathing and support
- posture and body relaxation
- vocal technique and placement
- voice projection
- diction and articulation
- musicality and repertoire
- Body expression and interpretation
- preparation for auditions, exams and concerts
🎭 Theatre in service of the voice
Alongside my musical training, I also have a background in theatre, particularly in the Stanislavski method. This approach allows me to explore voice and interpretation through the body, sensations, images, and intentions.
These tools can be particularly useful for developing a freer, more expressive and personal voice, both in singing and speaking.
✨ My goal: to help you discover your vocal potential and find your own voice, through work that is technical, physical and artistic.
Beginner, amateur, opera singer or simply curious to explore your voice: you are welcome!
Feel free to contact me to discuss your goals and schedule your first lesson. 🎶
Location
At student's location :
- Around Brussels, Belgium
At teacher's location :
- Rue Joseph Stevens, Bruxelles, Belgique
Online from Belgium
About Me
I am a French mezzo-soprano opera singer, a graduate of the Royal Conservatory of Brussels with a Master's degree in opera singing. I discovered singing in Russia, where I grew up, and began with jazz and rock before specializing in opera. This diverse background allows me to accompany both opera singers and students wishing to work on popular music, pop, jazz, rock, or spoken voice.
I also spent a year at the Conservatorio Santa Cecilia in Rome, where I further developed my knowledge of Italian bel canto technique. I specialize particularly in the Russian Baroque and Romantic repertoires.
My theatrical training, particularly around the Stanislavski method, also informs my approach to voice and interpretation, through work with the body, sensations and images.
My Master's thesis on vocal reconstruction after injury allowed me to explore the links between voice, body, and vocal health in greater depth, particularly through my work with speech therapists specializing in voice. I also completed training in polyvagal theory and the connection between the nervous system, respiration, and voice.
My teaching method is based on one essential idea: a solid technique should liberate the voice, not constrain it. I first seek to create the conditions for a relaxed and natural voice, so that I can then gradually allow technique to serve expression.
Passionate about teaching, I adapt my approach to each student, their level, desires, and goals, using a caring, accessible, and demanding style. 🎶
I also spent a year at the Conservatorio Santa Cecilia in Rome, where I further developed my knowledge of Italian bel canto technique. I specialize particularly in the Russian Baroque and Romantic repertoires.
My theatrical training, particularly around the Stanislavski method, also informs my approach to voice and interpretation, through work with the body, sensations and images.
My Master's thesis on vocal reconstruction after injury allowed me to explore the links between voice, body, and vocal health in greater depth, particularly through my work with speech therapists specializing in voice. I also completed training in polyvagal theory and the connection between the nervous system, respiration, and voice.
My teaching method is based on one essential idea: a solid technique should liberate the voice, not constrain it. I first seek to create the conditions for a relaxed and natural voice, so that I can then gradually allow technique to serve expression.
Passionate about teaching, I adapt my approach to each student, their level, desires, and goals, using a caring, accessible, and demanding style. 🎶
Education
Koninklijk Conservatorium Brussel - 2021-2026:
Bachelor and Master in operatic singing, with Cum Laude distinction, in the class of Yves Sotin.
Conservatorio Santa Cecilia, Rome - 2025-2026
One year Erasmus in operatic singing, in the class of Maestra Emmanuela Salucci, with further study of Italian vocal technique and bel canto.
Marseille Regional Conservatory - 2015-2021
Graduation diploma, obtained unanimously.
Bachelor and Master in operatic singing, with Cum Laude distinction, in the class of Yves Sotin.
Conservatorio Santa Cecilia, Rome - 2025-2026
One year Erasmus in operatic singing, in the class of Maestra Emmanuela Salucci, with further study of Italian vocal technique and bel canto.
Marseille Regional Conservatory - 2015-2021
Graduation diploma, obtained unanimously.
Experience / Qualifications
🎤 Educational experience:
- Singing and piano teacher - Apprentus (2023-2026): 3 years of experience with regular students of different levels.
- Singing and piano teacher - Fissiaux Centre / IFAC, Marseille (2020-2021): private lessons with students of all ages and levels.
🎭 Artistic experience:
Solo opera singer:
- Avignon Off Festival (2026) - Singer and actress in Chekhov's The Seagull, directed by Nathalie Conio.
- "Operetta in the cellar" Festival, Suze (2026) - Solo recital as part of the Opera and Castle Festival.
- Erice, Sicily (2026) - Mezzo-soprano soloist in a program of Baroque sacred arias.
- Rome (2026) - Alto soloist in Pergolesi's Stabat Mater, conducted by Stefano Mastrangelo.
- Church of Sablon, Brussels (2025) - Alto soloist in Mozart's Requiem, with orchestra and choir, conducted by David De Gueest.
- Maison de la Danse du Marais, Paris (2023) - Role of Anna Karenina in Viardot, artist and muse, mixing lyrical arias and Russian melodies.
- Les Rencontres de Calenzana Festival, Corsica (2023) - Recital of Italian opera arias and Russian melodies.
- Hasselt, Belgium (2023) - Machinery lyrical and theatrical project, as a solo singer.
- Marseille Opera (2015) - Alto soloist in Pergolesi's Stabat Mater, with the Amoroso children's choir.
Choir member:
- Théâtre de l'Odéon, Marseille (2018-2021) - Soprano 2 chorister in various operatic productions.
- Toursky Theatre, Marseille (2018) - Alto chorister in Hindemith's Sancta Suzanna, under the direction of Jean-Pierre Dambreville.
- Saint Petersburg, Russia (2019) - Alto choir member in the contemporary project Calanques.
- Amelia Lyric Theatre, Italy (2026) - Soprano 2 in the Gran Gala dell'Opera, for the inauguration of the theatre.
- Singing and piano teacher - Apprentus (2023-2026): 3 years of experience with regular students of different levels.
- Singing and piano teacher - Fissiaux Centre / IFAC, Marseille (2020-2021): private lessons with students of all ages and levels.
🎭 Artistic experience:
Solo opera singer:
- Avignon Off Festival (2026) - Singer and actress in Chekhov's The Seagull, directed by Nathalie Conio.
- "Operetta in the cellar" Festival, Suze (2026) - Solo recital as part of the Opera and Castle Festival.
- Erice, Sicily (2026) - Mezzo-soprano soloist in a program of Baroque sacred arias.
- Rome (2026) - Alto soloist in Pergolesi's Stabat Mater, conducted by Stefano Mastrangelo.
- Church of Sablon, Brussels (2025) - Alto soloist in Mozart's Requiem, with orchestra and choir, conducted by David De Gueest.
- Maison de la Danse du Marais, Paris (2023) - Role of Anna Karenina in Viardot, artist and muse, mixing lyrical arias and Russian melodies.
- Les Rencontres de Calenzana Festival, Corsica (2023) - Recital of Italian opera arias and Russian melodies.
- Hasselt, Belgium (2023) - Machinery lyrical and theatrical project, as a solo singer.
- Marseille Opera (2015) - Alto soloist in Pergolesi's Stabat Mater, with the Amoroso children's choir.
Choir member:
- Théâtre de l'Odéon, Marseille (2018-2021) - Soprano 2 chorister in various operatic productions.
- Toursky Theatre, Marseille (2018) - Alto chorister in Hindemith's Sancta Suzanna, under the direction of Jean-Pierre Dambreville.
- Saint Petersburg, Russia (2019) - Alto choir member in the contemporary project Calanques.
- Amelia Lyric Theatre, Italy (2026) - Soprano 2 in the Gran Gala dell'Opera, for the inauguration of the theatre.
Age
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Student level
Beginner
Intermediate
Advanced
Duration
60 minutes
90 minutes
The class is taught in
French
Russian
English
Skills
Reviews
Availability of a typical week
(GMT -04:00)
New York
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
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