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Since January 2022
Instructor since January 2022
Translated by Google
Maqam Bayati on the tone of Ri (D).
From 55.58 £ /h
Learn the basics of piano with professors specialized in musicology. Learn the rules of oriental music
Learn the rule of chord formation
Learn the main Eastern shrines and their branches
In this lesson, we will learn about the rule for composing the Maqam Bayati on the tone of Ri (D).
Maqam al-Bayati starts on the tone of Rey (D) and ends on the same note, but in a sharp pitch
It contains one pimole mark, which is a tone (B), and the second note is a quarter pimole
Learn the rule of chord formation
Learn the main Eastern shrines and their branches
In this lesson, we will learn about the rule for composing the Maqam Bayati on the tone of Ri (D).
Maqam al-Bayati starts on the tone of Rey (D) and ends on the same note, but in a sharp pitch
It contains one pimole mark, which is a tone (B), and the second note is a quarter pimole
Location
At teacher's location :
- الرياضة، الرياض السعودية
- مدرسة سودانية, العليا، الرياض السعودية
- مدرسة سودانية, العليا، الرياض السعودية
About Me
Mutawakkil Abbas Ahmed
Professor at the University of Sudan, College of Music and Drama, Department of Music
Optimistic, very calm, very confident in my artistic abilities, motivating and supportive of the other party, I love traveling, sports, optimistic personalities, helping others.
Professor at the University of Sudan, College of Music and Drama, Department of Music
Optimistic, very calm, very confident in my artistic abilities, motivating and supportive of the other party, I love traveling, sports, optimistic personalities, helping others.
Education
Sudan University, College of Music and Drama, Music Department, from 2010 to 2015 Piano and Accordion Division.
Delicate specialty piano
Awarded First Class Second
GPA 2.97
Delicate specialty piano
Awarded First Class Second
GPA 2.97
Experience / Qualifications
1 / Associate Professor at the University of Sudan, College of Music and Drama, Department of Music, specializing in piano.
2/ Maintenance and tuning engineer of the piano, University of Sudan, College of Music and Drama, Maintenance Department, Piano Specialization.
2/ Maintenance and tuning engineer of the piano, University of Sudan, College of Music and Drama, Maintenance Department, Piano Specialization.
Age
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
45 minutes
The class is taught in
English
Arabic
Availability of a typical week
(GMT -05:00)
New York
At teacher's location
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
The grand scale of Do, or (Maqam Do Ajam), consists of seven tones, and the eighth tone is an answer to the first tone. The tones are arranged starting with the tone of Do, which is in the middle of the piano keyboard. The scale is applied from the bottom to the top, towards the right hand, that is, from left to right, and ends on The pitch of the “du” at the top of the keyboard is the answer to the basic “du” tone, where the tone or sound number eight is the same as the base sound (du). It is called the answer tone, and the answer tone is in (a sharp pitch).
How do we recognize the D tone on the piano keyboard?
We notice the presence of black keys on the piano keyboard, and these black keys are grouped in twos and threes.
So how do we recognize the du tone? We can know the du tone through the binary groups. The white colored du tone is located directly to the left of the binary group, meaning it is the first sound that follows the binary group.
The Do major scale is a white piano keyboard, meaning it is seven letters repeated in thick or sharp pitches.
There is an important piece of information that you must know, which is that the rule that forms the Do ladder is the same rule that must be applied to extract the rest of the large western stairs, so you should focus a little in this lesson.
When we want to go up the stairs, we go up a rung, then a rung, then a rung, and so on until the end of the stairs. This applies to the D major scale, as we move from the D major note, then the next note, then the next one, then the next note, and this only happens (on the white piano keyboard). ) all the way to the eighth tone, which is the tone of “do answer.”
So how can we know the De Major scale with the names of the rest of the tones of the scale?
Kalati (read from left to right) is C-Do-Ra-Me-Fa-Sol--La-Si-(Do) and this is on the white piano keyboard only.
So how can we know the rule for the formation of the major Do scale?
First, we must get to know the half-tone scale or the choromatic scale, which is a scale that starts from the white do tone and ends at the do answer tone, but in this scale you must go through all the tones.
The black and white pianos in order, arriving at the tone of the answer, which is called the half-step scale, in which the sound moves half a step, then half a step, then half a step, and so on until the chord scale is completed.
The base or movements of the Do Major or Do major scale are as follows: - From the base tone (Do to Ra) it is a full degree - From Ra to Me it is a degree - From Me-Fa it is a half degree because there is no black key between them - And from Fa to Sol it is a degree -And from Sol to La a degree - From La to Si a degree - And from Si to a tone The answer is Do is half a degree because there is no black key between them).
In this way, we have become acquainted with the Dou el-Kebir movement, which is the basis for drawing the grand western stairs, which is as follows (one degree, then one degree, then half a degree, then one degree - one degree - one degree - half a degree)
This rule is applied to the rest of the musical tones
How do we recognize the D tone on the piano keyboard?
We notice the presence of black keys on the piano keyboard, and these black keys are grouped in twos and threes.
So how do we recognize the du tone? We can know the du tone through the binary groups. The white colored du tone is located directly to the left of the binary group, meaning it is the first sound that follows the binary group.
The Do major scale is a white piano keyboard, meaning it is seven letters repeated in thick or sharp pitches.
There is an important piece of information that you must know, which is that the rule that forms the Do ladder is the same rule that must be applied to extract the rest of the large western stairs, so you should focus a little in this lesson.
When we want to go up the stairs, we go up a rung, then a rung, then a rung, and so on until the end of the stairs. This applies to the D major scale, as we move from the D major note, then the next note, then the next one, then the next note, and this only happens (on the white piano keyboard). ) all the way to the eighth tone, which is the tone of “do answer.”
So how can we know the De Major scale with the names of the rest of the tones of the scale?
Kalati (read from left to right) is C-Do-Ra-Me-Fa-Sol--La-Si-(Do) and this is on the white piano keyboard only.
So how can we know the rule for the formation of the major Do scale?
First, we must get to know the half-tone scale or the choromatic scale, which is a scale that starts from the white do tone and ends at the do answer tone, but in this scale you must go through all the tones.
The black and white pianos in order, arriving at the tone of the answer, which is called the half-step scale, in which the sound moves half a step, then half a step, then half a step, and so on until the chord scale is completed.
The base or movements of the Do Major or Do major scale are as follows: - From the base tone (Do to Ra) it is a full degree - From Ra to Me it is a degree - From Me-Fa it is a half degree because there is no black key between them - And from Fa to Sol it is a degree -And from Sol to La a degree - From La to Si a degree - And from Si to a tone The answer is Do is half a degree because there is no black key between them).
In this way, we have become acquainted with the Dou el-Kebir movement, which is the basis for drawing the grand western stairs, which is as follows (one degree, then one degree, then half a degree, then one degree - one degree - one degree - half a degree)
This rule is applied to the rest of the musical tones
1/ Teaching the rules of oriental and western music
2 / Teaching Solfege lyrical and rhythmic
3 / Teaching musical notes, specializing in piano
4/ Focus on vocal exercises for artists and singers
5 / Teaching Harmony (all treble and quartets on the piano)
6 / Training the student to maintain and tune the piano in an easy and accessible way
2 / Teaching Solfege lyrical and rhythmic
3 / Teaching musical notes, specializing in piano
4/ Focus on vocal exercises for artists and singers
5 / Teaching Harmony (all treble and quartets on the piano)
6 / Training the student to maintain and tune the piano in an easy and accessible way
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