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Private lessonsMusic HistoryOnline Music History lessons

118 online music history teachers

118 online music history teachers

Savannah - Geneseo, IL, United States£19
£19The Sound of History: An introduction to the History of Western Classical Music
What makes Baroque music different from Romantic? How did Mozart, Beethoven, and Stravinsky change the sound of the world? In this course, we’ll explore the major eras of Western classical music, from the ornate harmonies of the Baroque to the bold, theory-breaking works of the 20th century. Each lesson focuses on a different time period or movement, introducing key composers, musical styles, and the historical and cultural forces that shaped the sound of each era. This class is designed to be accessible and engaging, NOT theory heavy. No formal music training is required. We’ll focus on listening, storytelling, and historical context, helping you connect with music as both an art form and a reflection of its time. We’ll explore each period using musical excerpts, visual art, cultural history, and key ideas — with room for discussion, questions, and student interests. Topics Included: - Baroque Era: Bach, Vivaldi, sacred music, ornamentation, court life - Classical Era: Mozart, Haydn, balance, Enlightenment ideals - Romantic Era: Beethoven, Chopin, nationalism, emotion, revolution - Impressionism & Modernism: Debussy, Stravinsky, fragmentation, innovation - 20th Century and Beyond: Minimalism, film scores, electronic music, global voices Learning Goals: - How to identify musical styles and characteristics by era - Key composers and the cultural movements they reflected - How to listen critically and understand music’s relationship to its time - Confidence discussing music without needing formal training or theory background This class is perfect for music students, history lovers, or anyone curious about the evolution of classical music — and the stories it tells.
Music history · History
Domingos - Taoyuan City, Taiwan£49
£49Music History, Opera Studies, Music Editing and Musicology; Artistic Development for opera singers
Hi all. I am a musicologist, music editor and opera specialist with 15+ years experience in casting, season planning, YAP design and artistic development in the field of opera, as well as university-level teaching experience and academic publications. I am currently residing in Taiwan under the Employment Gold Card programme, looking for local talent to develop either on an individual basis or with a local institution. Knowing Taiwan very well, I have always wondered why there are so few internationally renowned Taiwanese classical musicians. Let's try and change that situation ! Make me believe in your potential ! I am open to discuss artistic development programmes for upcoming Taiwanese opera singers, and to organise YAP, masterclasses and promotional events for Taiwanese institutions and universities. I can prepare detailed artistic development plans for individual artists and place recommendations with international organizations. I have a large network of international contacts which I can use to promote young Taiwanese artists abroad. I am open to take on editorial projects and international promotional activities for Taiwanese composers. I am open to work as a research advisor for postgraduate students in Musicology. I teach intermediate to advanced topics in my fields of expertise, including Opera Studies, Music Palaeography, Editorial Method, Source Studies and European Music History and Analysis. I am also open to suggestions for teaching or promotional activities according to the specific needs of individual artists, teachers, universities or institutions. Simply let me know what you need and we'll take it from there. ==> Be clear about your professional goals. Embarking on a PhD in performance is NOT the preferred road towards becoming a successful international artist. While I do teach music analysis, I do not dabble in "Music Theory" as taught at many US universities and colleges. Stuff such as Schenkerian analysis that was all the rage in the US some decades ago is an intellectual desert based on a nonsensical proposition of musical universality, with nothing to offer the young aspiring professional performer. Currently I teach and interact in English. I also have professional command of Italian, Japanese, French, Spanish and German. In the past I have taught advanced courses in English, Italian and Japanese. I am able to read Chinese, but I currently do not speak beyond the basics (A2). I may code switch between English and Italian, especially when discussing opera topics and while directing or auditioning singers. I expect students to know music notation and to be able to read vocal and orchestral scores. I will help you with the more advanced technical terminology. == My cv in brief == Qualifications: - PhD in Musicology with Opera Studies and Editorial Method (Leeds, UK, 2003) - Master of Music in Musicology with Opera Studies and Editorial Method (Leeds, UK, 1999) - Licence in Musicology (NOVA University, Lisbon, Portugal, 1996) Professional Experience: - 2008-present: Opera planning, casting and YAP design for opera houses worldwide; artistic development for singers - 2009-2016: Editor for CESEM, CIAO and Bärenreiter: Critical editions of "La testa di bronzo" and "Gabriella di Vergy" (Mercadante), and "Sigismondo" (Rossini). - 2008-2011: CIAO (University of Chicago) Post-doctoral researcher in the operas of Rossini under Philip Gossett; - 2004-2008: Artistic development advisor: Design and implementation of artistic development programmes for young artists in cooperation with casting departments at opera theatres worldwide; - 2004-2008: Independent Scholar (Tokyo University of the Arts) MEXT (文部科学省) scholarship for research in Japanese contemporary music and opera, with a focus on the operas of Miki Minoru (三木稔); - 2000-2002: Assistant Lecturer at the University of Leeds (UK), teaching "Issues in Opera" and "Music Palaeography Source Studies and Editorial Method". Taught advanced courses in Opera and Music Dramaturgy at Tokyo University of the Arts (2007) and University of Rome - La Sapienza (2010). Published academic papers and gave conference presentations on Puccini, Mercadante, opera dramaturgy and Japanese contemporary opera. Led the critical editions of the scores of operas by Rossini and Mercadante. Member of the International Musicological Society. Expert user of music notation software Finale.
Music history · Opera
Serhii - Kiev, Ukraine£15
£15History of Music for different education levels (from elementary school to musical college)
Hello! My name Serhii. I am a musicologist. I Have a Master's degree in Musical Arts and am a candidate for a PhD. I am a first-year postgraduate student of the National Music Academy of Ukraine (Kyiv). My class will help you understand the development of world music culture. I will tell you about the music of the Middle Ages, Baroque, Classicism, Romanticism and Modernism. The life stories of many composers can help you learn more about music. I understand other types of art, so I will be able to comprehensively explain the philosophy of art of a certain era. In my class, we will listen to music from different eras and be able to distinguish between styles of music. We will also look at painting, architecture of historical eras, because they are related to music. I teach music history at: - Kyiv Lysenko State Music Lyceum - Bible Seminary on a volunteer basis I also teach solfeggio, music theory and harmony. I teach these subjects in an interesting associative form, which increases the cognitive level of perception and memorization of information. I will be glad if I can be useful to you. My native language is Ukrainian, so my level of English is not perfect. We could help each other - I would improve my level of English by talking to you, and you would improve your knowledge of music history in a simple, friendly conversation.
Music history · Music teacher training · Music theory
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