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1/9
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Since June 2020
Instructor since June 2020
Guitar, theory, sounds, ear training and more. A comprehensive look at everything guitar
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From 40 £ /h
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Guitar tuition for all ages and experiences.

Every student will have the lesson tailored to there needs from technique to theory, equipment and ear training.

There is structure to every element of learning the guitar that is simple enough to extract from any song you'd like to learn.
We go through the songs you like and take all the techniques, theory, why stuff is done in certain ways, sounds the lot, depending on what youd like to learn.

Fun, relaxed and flexible learning.
Location
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At teacher's location :
  • Linden Grove, London SE15 3LF, UK
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Online from United Kingdom
Age
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
60 minutes
The class is taught in
English
Skills
Acoustic
Song & varieties
Ska
Pop
Funk
Reggae & dub
Punk
Indie & alternative
Rock
Availability of a typical week
(GMT -04:00)
New York
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At teacher's location and via webcam
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
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Luke
My name is Luke and I am a 24 year old, multi-award winning guitarist from Greenwich, London.
I am an experienced and enthusiastic teacher and am adept at all varieties of guitar playing, including, classical, acoustic, electric and bass.

Regarding my previous experience in tutoring, I have given 1000's of hours of guitar tuition both privately and in school settings. These experiences have given me a keen sense of how to motivate students and offer them concise and useful advice. I have worked at many excellent institutions in the past, including Streatham and Clapham Girls' School (one of the top private girls schools in the country), Orpington Music Studio, The Royal Arsenal School of Music and Canada Blanch Music Academy.

I have found over my experiences of being taught and then eventually teaching that the best method for getting the most out of a student is to listen. If the tutor is acutely aware of where their student needs help and where they are already confident, they can tailor classes carefully to make the best use of the time allowed and to get the maximum potential out of them. This philosophy leads to classes being student-oriented, in that the student leads the tuition. The tutor acts as a supportive crutch, first working through problems together, then allowing them to explore it themselves with the tutor to lean back on.

In my first years of training, like many others, I completed grades. Because of this I have a very good knowledge of what it takes to move along this system. However, the grade system should not be seen as the only way to learn an instrument. The same achievement can be gained through simple discussion between student and teacher and the correct prescription of pieces and studies to work on. I am more than happy to walk down whatever avenue they wish to explore.

I would love to hear from you in the future. Thank you.
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Richard
Im a very easy going, fun, Mime & Movement specialist with over 40 yrs professional experience. If you want to learn illusionary Mime, physical theatre, physical comedy, clown or movement skills for stage tv & film, or just want to improve your body confidence, in any other field than you have come to the right place. I have a wealth of teaching experience and knowledge at the highest level, My screen credits include BBC 1 sitcom Not Going Out, mime consultancy for James May’s Man Lab and a personal tutor role on Strictly Come Dancing, ‘Slow Motion Expert’ on Tim Burton’s film Sweeney Todd, collaborated with Andy Serkis for motion capture and movement vocabulary for Ultron and Iron Man, for The Avengers: Age of Ultron. I was the personal mime and movement assistant for Carey Mulligan in Suffragette. I have also written and published a book titled Mime The Gap: Techniques in Mime and Movement available on Amazon. Teaching history includes; The National Theatre, The Royal Shakespeare Company, The Royal College of Music, The Royal College of Art, The Royal Festival Hall, East 15 Acting School, Identity School of Acting, Mountview and Rose Bruford School of Acting. I also taught at Oxford and Cambridge Universities. I was Head of Movement for Vienna’s English Theatre Academy from 2018 to 2024. I design a two-year acting curriculum that primarily incorporates Lecoq and Physical Theatre techniques. It includes Clown, Mime, Bouffon, Neutral Mask, Commedia Dell’Arte, Greek Tragedy, Larval Mask, Character Mask, Personnage and other subjects such as Chekhov, Shakespeare, Silent Movie Acting, Film Noir Acting, Filmmaking and Acting for Camera.
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Similar classes
arrow icon previousarrow icon next
verified badge
Luke
My name is Luke and I am a 24 year old, multi-award winning guitarist from Greenwich, London.
I am an experienced and enthusiastic teacher and am adept at all varieties of guitar playing, including, classical, acoustic, electric and bass.

Regarding my previous experience in tutoring, I have given 1000's of hours of guitar tuition both privately and in school settings. These experiences have given me a keen sense of how to motivate students and offer them concise and useful advice. I have worked at many excellent institutions in the past, including Streatham and Clapham Girls' School (one of the top private girls schools in the country), Orpington Music Studio, The Royal Arsenal School of Music and Canada Blanch Music Academy.

I have found over my experiences of being taught and then eventually teaching that the best method for getting the most out of a student is to listen. If the tutor is acutely aware of where their student needs help and where they are already confident, they can tailor classes carefully to make the best use of the time allowed and to get the maximum potential out of them. This philosophy leads to classes being student-oriented, in that the student leads the tuition. The tutor acts as a supportive crutch, first working through problems together, then allowing them to explore it themselves with the tutor to lean back on.

In my first years of training, like many others, I completed grades. Because of this I have a very good knowledge of what it takes to move along this system. However, the grade system should not be seen as the only way to learn an instrument. The same achievement can be gained through simple discussion between student and teacher and the correct prescription of pieces and studies to work on. I am more than happy to walk down whatever avenue they wish to explore.

I would love to hear from you in the future. Thank you.
verified badge
Richard
Im a very easy going, fun, Mime & Movement specialist with over 40 yrs professional experience. If you want to learn illusionary Mime, physical theatre, physical comedy, clown or movement skills for stage tv & film, or just want to improve your body confidence, in any other field than you have come to the right place. I have a wealth of teaching experience and knowledge at the highest level, My screen credits include BBC 1 sitcom Not Going Out, mime consultancy for James May’s Man Lab and a personal tutor role on Strictly Come Dancing, ‘Slow Motion Expert’ on Tim Burton’s film Sweeney Todd, collaborated with Andy Serkis for motion capture and movement vocabulary for Ultron and Iron Man, for The Avengers: Age of Ultron. I was the personal mime and movement assistant for Carey Mulligan in Suffragette. I have also written and published a book titled Mime The Gap: Techniques in Mime and Movement available on Amazon. Teaching history includes; The National Theatre, The Royal Shakespeare Company, The Royal College of Music, The Royal College of Art, The Royal Festival Hall, East 15 Acting School, Identity School of Acting, Mountview and Rose Bruford School of Acting. I also taught at Oxford and Cambridge Universities. I was Head of Movement for Vienna’s English Theatre Academy from 2018 to 2024. I design a two-year acting curriculum that primarily incorporates Lecoq and Physical Theatre techniques. It includes Clown, Mime, Bouffon, Neutral Mask, Commedia Dell’Arte, Greek Tragedy, Larval Mask, Character Mask, Personnage and other subjects such as Chekhov, Shakespeare, Silent Movie Acting, Film Noir Acting, Filmmaking and Acting for Camera.
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