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162 private teachers in Mitcham

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162 private teachers in Mitcham

Shreya - Morden£87
£87English Standard & Higher Level for International Baccalaureate + English Reading, Writing, Speaking for All Levels
Trusted teacher: English SL and Higher Level for the International Baccalaureate is a rigorous course, especially for ESL students. I completed the IB with HL English and received a 7 (highest mark) in my final exam. I will be able to go over both Standard Level and Higher Level syllabuses for the course specific to the material covered in your school, and prepare you for mock and final exams. I will include essay writing skills, literary criticism and analysis, as well as vocabulary expansion techniques in my teaching. A brief overview of the key features of English SL/HL as set by the International Baccalaureate Organisation: • Higher level study requires a minimum of 240 class hours, while standard level study requires a minimum of 150 class hours • Students study 13 works at higher level and 9 works at standard level from a representative selection of literary forms, periods and places • Students develop the ability to engage in close, detailed analysis of literary works, building understanding of the techniques involved in literary criticism • The study of literary works in context is emphasised, and through the study of literature in translation the student is challenged to reflect on the role of cultural assumptions in interpretation • Students are assessed through a combination of formal examination and oral and written coursework. • The formal examination comprises two essay papers, one requiring the analysis of a passage of unseen literary text, and the other comparative response to a question based on two works studied • Students also perform an oral activity presenting their analysis of two works studied • HL students comply with an additional written coursework requirement which consists of writing a 1200 - 1500 word essay on one of the works studied
English
Kamil - City of Westminster£41
£41Acting Lessons for Experienced and New Actors from a Bristol Old Vic Theatre School Graduate
My lessons are primarily for adults. You can be needing a coach for an audition or a full production, maybe you want to find that spark again by trying a different method, or you might want to try acting out, great! I can adjust to whatever you need. My lessons are at least an hour or more. I have a vocal/light physical warm-up that I like to do at the beginning of subsequent lessons. I remember one of my first teachers saying "An actor should be a blank canvas." And this made sense at first. So I went up on our small stage to do a monologue and it was terrible. My teacher said, "Kamil, you didn't really do anything." "Well, yeah? I am a blank canvas" As a neurodiverse person, I am overanalytical, literal, incredibly anxious and have difficulty speaking with full confidence. However, my Master's level education from Bristol Old Vic Theatre School has given me a toolkit where I can work towards placing my self-doubt and uncertainty behind 'The Work.' The Work is the hours you've spent in the text, the pencil markings in the script, the crinkled pages from taking it in and out of your backpack. It's the objective truth that you can rely on when your self-awareness doesn't want you to be the character, when you can feel an audience member looking at you, when the person behind the camera laughs at something you didn't inherently think was funny. It's your character's lifesaver. For those that may require more structure when they receive text, I can help you deconstruct that overwhelming building into its key components. Whether it's from a play you've been newly cast in, a voiceover script you can't wrap your head around, or just a simple self-tape, we can work to break down text that lets BE that blank canvas on the day, but you know what paints you've used, what strokes you can utilise, you know the feel of the paintbrush from all the canvases you've practised on. Also, it's a good way to memorise lines. And that's just a nice bonus.
Acting
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Creative Piano/Clarinet/Singing Lesson for beginner/Intermediate/advanced (Brixton Hill)
Kristin
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I worked with Kristin: I engaged her as an accompanist rather than a teacher. She accompanied me in my one-man play at the Edinburgh Fringe: Coleridge-Taylor of Freetown. Kristin was very keen and got totally immersed in the story and the play, and was complimented by many in the audience, both for her lovely playing and for her spirit. She even went flyering with me, which shows that she treated the engagement as much more than "just a job," which others could have. I am glad to have found her through Apprentus.
Review by TAYO

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