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Private lessonsArt & MusicArt & Music in Acton

4 art & music teachers in Acton

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4 art & music teachers in Acton

Dominique - Narbonne, France£22
£22Visual arts, art history, mixed media, manual arts
Trusted teacher: My name is Dominique, I am a qualified teacher in visual and plastic arts and a Doctor in Art History. Art in its many forms is a passion for me and I am delighted to share this passion online or in person with you. I have 20 years of experience in the field of plastic and visual arts, having taught this subject for more than twenty years and having trained students in university artistic studies. I also have a Doctorate in Art History from the Montpellier Academy and I have a cutting, sewing and pattern making certificate and a French Foreign Language (FLE) diploma. I consider that theory and artistic practice nourish each other. Over the years, I have worked with students of different levels and witnessed their artistic progress which represents a constant source of inspiration. My main goal is to create a learning environment where you will feel encouraged to express your creativity, explore new techniques and develop your own style. My experience has shown that each student has a unique potential that deserves to be developed. I firmly believe that art is a form of personal communication and I am here to guide you on this journey. We will work with mediums such as painting, drawing, sculpture, photography, but also collage, monoprint and much more. You will also have the opportunity to study and appreciate the works of famous artists, while developing your own projects.
Paper arts · Art history · Studio art
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Cormac - Dublin, Ireland£26
£26Creative Writing Support for Beginners and Non-native English Learners
Trusted teacher: In one-to-one classes I can offer the support, feedback and encouragement that you need to start writing creatively, whether it's for a course, to improve your language skills and fluency, or as a hobby/passion. I am a graduate of English with Creative Writing at UCD, have published several short stories and have years of experience giving advice and constructive feedback to other writers (I was also the fiction editor of a successful magazine issue published by UCD). Whether we start with a piece of writing that you want to expand on and improve or just an idea or genre you would like to write in, I can assist you. As well as giving you feedback on your work and talking you through how to go about editing, we can also look at certain books or stories as examples of excellent writing, to help inspire your own work. I offer close guidance and attention and try to create a welcoming, non-judgemental environment in which to work and grow your ideas. Please get in touch with your request so I have an idea of what you are looking for before our first introductory class *For students needing help with literature analysis, better understanding texts and essay writing* With experience as a writer, editor and as an English graduate and LC tutor, I can offer you help with analysing literature on your college course or exam, or help you with essay writing/editing
Creative writing · Writing · Literature
Axelle - France£23
£23Confirmed artist and teacher teaches drawing online for all levels: atypical method and under intellectual protection.
Trusted teacher: Hello all ! 😊 I am the artist Axelle, a teacher for 10 years in Parisian workshops, universities and art schools as well as online for individuals. Self-taught, I created an atypical method of learning drawing under intellectual protection: you will find all the information about my courses on my website, the address of which appears in the first photo of this ad. I can teach in French and English. This method, developed during my years of teaching and the collaboration of students, includes, among other things, the study of drawing, painting, proportions, human expression, observation, colorimetry and even art. therapy and demystifies everything that our modern era brings bias to these practices. Simple, logical explanations free of any vague, subjective, elitist or hazardous artistic concepts, as well as a return to the essential framework. The terms Art, Artist or Observation are redefined in a natural and factual space, all from a scientific and anthropological angle. The functioning of the brain, vision, the appreciation of distances, the evaluation of color, the appetite for texture and even the process of creativity are explained when necessary to set up a healthy experimental laboratory. and available to the student. Graphic expression being a cognitive and psychomotor activity, it is essential to understand the tools at our disposal to use them better and clear communication between the teacher and the student is essential to transmit this know-how: hence the difficulty growing popularity of teaching a sensory practice simply via a book or to an audience of more than twenty students. My approach is as follows: I am only the teacher of the moment and remain an eternal student, forever the sole disciple of experience. The same goes for my current students to whom I transfer the tools allowing them to become, in turn, their own teacher. Art requires flexibility of mind, self-knowledge, the abandonment of a certain struggle and the rigor that only a passion can give birth to without effort or constraints. Once these basic lines have been mastered and the technical aspects assimilated, a wonderful power opens up to you: that of expressing yourself as close as possible to your inner self with the power and intensity that words cannot achieve, in the The primitive and faithful authenticity of what resides deep within your consciousness. Human expression is the most dizzying of journeys. To rub shoulders with Art is to build the ship that will take you there from the most watertight and robust wood. Very or too often, I welcome adults or adolescents who are beginners in workshops to sincere questioning between themselves and Art. I take stock of the imaginary and unconscious barriers that today's ideas erect, and the notable waste that this can cause. The most important tool in learning to draw remains Observation, too often underestimated, wrongly: this is why my unique method is modeled on our way of perceiving and thinking about the world. From the very first minutes, we focus on this tool which brings together 80% of our ability to draw, rather than a classic educational framework which will omit the human and neurocognitive aspect which is nevertheless crucial behind this practice. So whatever your profession, your personality or your past, be sure to be legitimate in your first steps towards drawing or painting: no longer doubt the Artist within you.
Drawing & sketching · Painting · Art
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